TY - BOOK ID - 680672 TI - Art periodical culture in late imperial Russia (1898-1917) PY - 2016 VL - 44 5 SN - 9789004269262 9789004301405 9004301402 9004269266 PB - Leiden Boston DB - UniCat KW - Modernist KW - Mir Iskusstva KW - Book history KW - art [fine art] KW - periodicals KW - Art KW - anno 1800-1999 KW - Saint Petersburg KW - Illustrated periodicals KW - Modernism (Art) KW - Magazines (Publications) KW - Modernisme (Art) KW - History KW - Periodicals KW - Histoire KW - Périodiques KW - Mir iskusstva. KW - Zolotoe runo. KW - Apollon (Saint Petersburg, Russia) KW - Périodiques KW - Periodicals. KW - Art, Modernist KW - Modern art KW - Modernism in art KW - Modernist art KW - Aesthetic movement (Art) KW - Art, Modern KW - Journalism, Pictorial KW - Photojournalism KW - Аполлон (Saint Petersburg, Russia) KW - Художественно-литературный журнал 'Аполлон' KW - Khudozhestvenno-literaturnyĭ zhurnal 'Apollon' KW - Аполлон (Petrograd, R.S.F.S.R.) KW - Apollon (Petrograd, R.S.F.S.R.) KW - Apollo (Saint Petersburg, Russia) KW - Золотое руно KW - Golden fleece KW - Toison d'or (Moscow, Russia) KW - Мир искусства KW - World of art (Saint Petersburg, Russia) KW - Monde artiste KW - art [discipline] UR - https://www.unicat.be/uniCat?func=search&query=sysid:680672 AB - Art Periodical Culture in Late Imperial Russia (1898-1917). Print Modernism in Transition offers a detailed exploration of the major Modernist art periodicals in late imperial Russia, the World of Art ( Mir Iskusstva , 1899-1904), The Golden Fleece ( Zolotoe runo , 1906-1909) and Apollo ( Apollon , 1909-1917). By exploring the role of art reproduction in the nineteenth century and the emergence of these innovative art journals in the turn of the century, Hanna Chuchvaha proves that these Modernist periodicals advanced the Russian graphic arts and reinforced the development of reproduction technologies and the art of printing. Offering a detailed examination of the “inaugural” issues, which included editorial positions expressed in words and images, Hanna Chuchvaha analyses the periodicals’ ideologies and explores journals as art objects appearing in their unique socio-historical context in imperial Russia. ER -