TY - BOOK ID - 64919166 TI - The future of music : Towards a Computational Musical Theory of Everything AU - Mazzola, G. AU - Noer, Jason. AU - Pang, Yan. AU - Yao, Shuhui. AU - Afrisando, Jay. AU - Rochester, Christopher. AU - Neace, William. PY - 2020 SN - 3030397092 3030397084 PB - Cham : Springer International Publishing : Imprint: Springer, DB - UniCat KW - Mathematics. KW - Music. KW - User interfaces (Computer systems). KW - Application software. KW - Performing arts. KW - Mathematics in Music. KW - User Interfaces and Human Computer Interaction. KW - Computer Appl. in Arts and Humanities. KW - Performing Arts. KW - Show business KW - Arts KW - Performance art KW - Application computer programs KW - Application computer software KW - Applications software KW - Apps (Computer software) KW - Computer software KW - Interfaces, User (Computer systems) KW - Human-machine systems KW - Human-computer interaction KW - Art music KW - Art music, Western KW - Classical music KW - Musical compositions KW - Musical works KW - Serious music KW - Western art music KW - Western music (Western countries) KW - Math KW - Science KW - Music theory. KW - Music KW - Musical theory KW - Theory of music KW - Theory KW - User interfaces (Computer systems) UR - https://www.unicat.be/uniCat?func=search&query=sysid:64919166 AB - The idea of this monograph is to present an overview of decisive theoretical, computational, technological, aesthetical, artistic, economical, and sociological directions to create future music. It features a unique insight into dominant scientific and artistic new directions, which are guaranteed by the authors' prominent publications in books, software, musical, and dance productions. Applying recent research results from mathematical and computational music theory and software as well as new ideas of embodiment approaches and non-Western music cultures, this book presents new composition methods and technologies. Mathematical, computational, and semiotic models of artistic presence (imaginary time, gestural creativity) as well as strategies are also covered. This book will be of interest to composers, music technicians, and organizers in the internet-based music industry, who are offered concrete conceptual architectures and tools for their future strategies in musical creativity and production. ER -