TY - BOOK ID - 61122270 TI - Cyberpunk in a Transnational Context PY - 2019 SN - 3039214225 3039214217 PB - MDPI - Multidisciplinary Digital Publishing Institute DB - UniCat KW - n/a KW - virtual reality KW - Tobi Hirotaka KW - collage KW - cyberpunk KW - co-productions KW - virtual worlds KW - European cinema KW - reception history KW - Metropia KW - transnational cinema KW - layers KW - manga KW - cinematism KW - Lo Tek KW - audience KW - 2000s KW - techno-Orientalism KW - outlaw technologist KW - YLEM artists using science and technology KW - animation KW - Masaki Gor? KW - “rich sight” KW - Germany KW - extraterritorial KW - proscenium views KW - care KW - Japanese science fiction KW - United States KW - post-utopia KW - comics KW - flattened screens KW - William Gibson KW - science fiction KW - animatism KW - post-apocalyptic narrative KW - genre KW - SCAN KW - HyperCard KW - bOING bOING KW - nostalgia KW - global capitalism KW - virtual idol KW - MONDO 2000 KW - Timothy Leary KW - Walter Benjamin KW - visuality KW - fractal space KW - Marshall McLuhan KW - Renaissance KW - Hyperart Thomasson KW - Pattern Recognition KW - dystopia KW - Kowloon Walled City KW - participatory aesthetics KW - Guerrilla Games KW - translation KW - intertextuality KW - nuclear politics KW - end of history KW - Horizon: Zero Dawn KW - detritus KW - Blade Runner KW - "rich sight" UR - https://www.unicat.be/uniCat?func=search&query=sysid:61122270 AB - Mike Mosher’s “Some Aspects of Californian Cyberpunk” vividly reminds us of the influence of West Coast counterculture on cyberpunks, with special emphasis on 1960s theoretical gurus such as Timothy Leary and Marshall McLuhan, who explored the frontiers of inner space as well as the global village. Frenchy Lunning’s “Cyberpunk Redux: Dérives in the Rich Sight of Post-Anthropocentric Visuality” examines how the heritage of Ridley Scott’s techno-noir film ER -