TY - BOOK ID - 494497 TI - Film, art, new media : museum without walls? AU - Vacche, Angela Dalle AU - Palgrave Macmillan PY - 2012 SN - 9780230272927 0230272924 9781349323586 1349323586 PB - New York ; Basingstoke Palgrave Macmillan DB - UniCat KW - Museology KW - Art KW - Film KW - anno 1900-1999 KW - Motion pictures and history. KW - Museums KW - Arts, Modern KW - Arts and society KW - ART KW - PERFORMING ARTS KW - Visuelle Medien. KW - Film. KW - Fotografie. KW - Filmästhetik. KW - Kunst. KW - Filmteori. KW - Filmen och konsten. KW - Filosofi och film. KW - Arts and society. KW - Arts, Modern. KW - Performing Arts. KW - Forecasting. KW - History KW - Contemporary (1945- ). KW - Museum Studies. KW - Film & Video KW - History & Criticism. KW - Historia. KW - 1900-1999. KW - 791.41 KW - filmtheorie KW - kunsttheorie KW - 791.43 KW - 7.03 KW - 7.01 KW - film KW - kunst en film KW - kunst UR - https://www.unicat.be/uniCat?func=search&query=sysid:494497 AB - An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present. An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present. In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization Review: 'A provocative interrogation of the multidimensional relations among the visual arts. Consistently lucid, informed and original, these essays reveal unexpected and hitherto unexplored aspects of modernity and visual culture that suggest fresh and creative ways of rethinking these phenomena. An outstanding collection.' - Ronald Bogue, University of Georgia, USA "An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present."--Publisher's website. ER -