TY - BOOK ID - 48279275 TI - The eloquent screen : a rhetoric of film PY - 2019 SN - 9780816641321 0816641323 9780816641338 0816641331 PB - Minneapolis : University of Minnesota Press, DB - UniCat KW - film KW - filmtheorie KW - filmanalyse KW - Chaplin Charles KW - Ford John KW - Kiarastomi Abbas KW - Eisenstein Sergei KW - Malick Terence KW - Haneke Michael KW - Mizoguchi Kenji KW - Hitchcock Alfred KW - Godard Jean-Luc KW - 791.41 KW - Motion pictures KW - Subjectivity in motion pictures KW - Metaphor in motion pictures KW - Motion picture plays KW - Point of view in motion pictures KW - Subjective camera KW - Philosophy KW - History and criticism KW - Subjectivity in motion pictures. KW - Metaphor in motion pictures. KW - Philosophy. KW - History and criticism. KW - 24.31 theory and aesthetics of film art. KW - Film. KW - Motion picture plays. KW - PERFORMING ARTS KW - Stilistik. KW - Screenplays. UR - https://www.unicat.be/uniCat?func=search&query=sysid:48279275 AB - Cinema is commonly hailed as "the universal language," but how does it communicate so effortlessly across cultural and linguistic borders? Drawing on a lifetime's worth of viewing an reviewing, influential critic Gilberto Perez invokes a dizzying array of masters past and present including Chaplin, Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard--to explore the transaction between filmmaker and audience. The Eloquent Screen shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus. -- ER -