TY - BOOK ID - 46321491 TI - Junya Ishigami (Tokyo) AU - Ota, Kayoko AU - Obrist, Hans Ulrich PY - 2019 VL - 78 78 SN - 11369647 SN - 9783960984863 3960984863 9783960980964 3960980965 PB - Köln : Walther König (Verlag), DB - UniCat KW - 72.07 KW - Ishigami, Junya °1974 (°Kanagawa, Japan) KW - Architecten. Stedenbouwkundigen A - Z KW - Architectuur ; 21ste eeuw ; 2008-2018 ; J. Ishigami KW - Ishigami, Junya KW - 72.036 KW - 72.037 KW - Japan KW - Verenigde Staten KW - Rusland KW - Nederland KW - China KW - 20ste eeuw (architectuur) KW - Twintigste eeuw (architectuur) KW - 21ste eeuw (architectuur) KW - Eenentwintigste eeuw (architectuur) KW - Art KW - installations [visual works] KW - embroidering KW - humor KW - public art KW - monumental [size or dimensions] KW - cloth KW - knitting [needlework] KW - granite [rock] KW - marble [rock] KW - wood [plant material] KW - animal art KW - mixed media works KW - Dewar & Gicquel KW - Dewar, Daniel & Gicquel, Grégory KW - Architecture KW - Ishigami, Junya, KW - J6500 KW - Japan: Art and antiquities -- architecture KW - Architecture, Japanese KW - Rapport architecture-nature KW - Rapport intérieur-extérieur KW - Ishigami, Jun'ya, KW - Architecture, Japanese - 20th century KW - Architecture, Japanese - 21st century. KW - Ishigami, Jun'ya, - 1974 KW - -Ishigami, Junya, 1974 KW - Ishigami, Junya, 1974 KW - -Dewar, Daniel & Gicquel, Grégory KW - -Rapport architecture-nature KW - -Art UR - https://www.unicat.be/uniCat?func=search&query=sysid:46321491 AB - The first time Junya Ishigami made himself known in Europe, with his proposal for the Japan Pavilion for the Venice Architecture Biennale 2008, he was a young an almost unknown architect who had worked for several years with Kazuo Sejima and had not long with his studio junya.ishigami +associates, founded in 2004. In the Venice pavilion, Ishigami filled all the interior walls of the pavilion with delicate a somehow naïf drawings of gardens and decided to build several greenhouses with real gardens in the outdoor gardens of the building. The following year, he finished the Kanagawa Institute of Technology Workshop, and with only two works he was acclaimed as one of the most innovative proposals of the recent Japanese architecture. Forcing the limits of transparency and lightness in the beginning, his latest works explore in a conceptual way the relationships between the built matter and the nature, in works such as the Botanical Farm Garden in Tochigi, a multi confessional chapel in China or the house and restaurant for a chef in Japan, where the exploration of the tectonic merges with the telluric and the nature. ER -