TY - BOOK ID - 46320777 TI - Nineteenth-Century Serial Narrative in Transnational Perspective, 1830s−1860s : Popular Culture—Serial Culture AU - Stein, Daniel. AU - Wiele, Lisanna. PY - 2019 SN - 3030158950 3030158942 PB - Cham : Springer International Publishing : Imprint: Palgrave Macmillan, DB - UniCat KW - Serialized fiction. KW - Fiction KW - Literature, Modern-19th century. KW - Popular Culture. KW - Comparative literature. KW - Printing. KW - Nineteenth-Century Literature. KW - Popular Culture . KW - Comparative Literature. KW - Printing and Publishing. KW - Printing, Practical KW - Typography KW - Graphic arts KW - Comparative literature KW - Literature, Comparative KW - Philology KW - Culture, Popular KW - Mass culture KW - Pop culture KW - Popular arts KW - Communication KW - Intellectual life KW - Mass society KW - Recreation KW - Culture KW - History and criticism KW - Literature, Modern—19th century. KW - Publishers and publishing. KW - Book publishing KW - Books KW - Book industries and trade KW - Booksellers and bookselling KW - Publishing KW - Popular culture. UR - https://www.unicat.be/uniCat?func=search&query=sysid:46320777 AB - 'Popular Culture—Serial Culture is the first book to explore serial fiction and the city-mysteries novel in a transatlantic context. Thoughtfully edited and introduced by Daniel Stein and Lisanna Wiele, Popular Culture—Serial Culture features original essays on many aspects of nineteenth-century serial publication by scholars from various countries. This book is an important and timely contribution to book history and transatlantic cultural studies.' — David S. Reynolds, CUNY Graduate Center, author of Mightier than the Sword: “Uncle Tom’s Cabin” and the Battle for America and Beneath the American Renaissance 'Popular Culture—Serial Culture addresses in a comprehensive and thoughtful way a significant gap in our scholarship on early popular culture: the complicated and generative transnational circulation of serial texts through an increasingly frenetic popular print culture defined by piracies, “borrowings,” and adaptations. Popular Culture—Serial Culture allows us to reorient our understanding of popular culture by finally making visible how popular culture was always complicating national borders and literary cultures in ways that have ramifications for how we must understand pop culture today.' — Jared Gardner, Professor and Director of Popular Culture Studies at The Ohio State University, USA, and author of Master Plots: Race and the Founding of an American Literature, 1787-1845 and The Rise and Fall of Early American Magazine Culture 'As an enthusiast for the transnational turn in literary studies, with a special interest in the nineteenth-century serial boom, I am delighted to see this fine collection in print.' — Graham Law, Professor in Media History, Waseda University, Japan. ER -