TY - BOOK ID - 37087464 TI - The promise of cinema : German film theory, 1907-1933 AU - Kaes, Anton AU - Baer, Nicholas AU - Cowan, Michael PY - 2016 SN - 9780520219076 9780520219083 9780520962439 0520962435 0520219074 0520219074 PB - Oakland, Calif. University of California Press DB - UniCat KW - Cinéma KW - Critique cinématographique KW - Motion pictures KW - Film criticism KW - Histoire et critique KW - History KW - Histoire et critique. KW - Film KW - anno 1900-1909 KW - anno 1910-1919 KW - anno 1920-1929 KW - anno 1930-1939 KW - Germany KW - Film criticism. KW - Motion picture criticism KW - Moving-picture criticism KW - Criticism KW - Evaluation KW - aesthetics and german cinema. KW - bela balazs. KW - cinema and film. KW - early 20th century german film. KW - early 20th century germany. KW - early 20th century media. KW - film history. KW - film scholarship. KW - film studies. KW - film theory. KW - fritz lang. KW - fw murnau. KW - german cinema. KW - german cinematography. KW - german film. KW - german filmmaking. KW - german media. KW - german study of film. KW - history of cinema. KW - history of german film. KW - study of german film. KW - weimar cinema. KW - weimar filmmakers. UR - https://www.unicat.be/uniCat?func=search&query=sysid:37087464 AB - Rich in implications for our present era of media change, The Promise of Cinema offers a compelling new vision of film theory. The volume conceives of "theory" not as a fixed body of canonical texts, but as a dynamic set of reflections on the very idea of cinema and the possibilities once associated with it. Unearthing more than 275 early-twentieth-century German texts, this ground-breaking documentation leads readers into a world that was striving to assimilate modernity's most powerful new medium. We encounter lesser-known essays by Béla Balázs, Walter Benjamin, and Siegfried Kracauer alongside interventions from the realms of aesthetics, education, industry, politics, science, and technology. The book also features programmatic writings from the Weimar avant-garde and from directors such as Fritz Lang and F.W. Murnau. Nearly all documents appear in English for the first time; each is meticulously introduced and annotated. The most comprehensive collection of German writings on film published to date, The Promise of Cinema is an essential resource for students and scholars of film and media, critical theory, and European culture and history. ER -