TY - BOOK ID - 3518625 TI - Venanzio Rauzzini in Britain PY - 2015 VL - 125 SN - 9781580465328 1580465323 9781782046097 1782046097 PB - Rochester, NY University of Rochester Press DB - UniCat KW - Castrati KW - Music KW - Castrats KW - Musique KW - Biography KW - History and criticism. KW - Biographies KW - Histoire et critique KW - Rauzzini, Venanzio, KW - Great Britain KW - 18th century KW - History and criticism KW - Art music KW - Art music, Western KW - Classical music KW - Musical compositions KW - Musical works KW - Serious music KW - Western art music KW - Western music (Western countries) KW - Evirati KW - Eunuchs KW - Singers KW - Rauzzini, V. KW - Bath subscription concerts. KW - Britain. KW - King's Theatre. KW - Memorial University of Newfoundland. KW - Mozart. KW - Paul F. Rice. KW - Venanzio Rauzzini. KW - castrato soprano. KW - composer. KW - cultural leader. KW - eighteenth-century Britain. KW - music. KW - social and political conditions. UR - https://www.unicat.be/uniCat?func=search&query=sysid:3518625 AB - Venanzio Rauzzini (1746-1810), the celebrated Italian castrato, is best known for his performance in Mozart's Lucio Silla in 1772, with which Mozart was so pleased that he composed for the singer the famous motet Exsultate Jubilate. In 1774, Rauzzini moved to London where he performed three seasons of serious operas at the King's Theatre. From 1777 until his death in 1810, he was the director of the concert series in Bath, a series that matched the prestige of any that were given in London. In addition, he composed prolifically, writing music for eleven operas. This book is a study of Rauzzini's remarkable yet often overlooked career in Britain. Paul Rice chronicles Rauzzini's performances at the King's Theatre and examines his leadership of the Bath subscription concerts from 1780-1810, recovering much of the repertory. Rice shows in detail how Rauzzini responded musically to the social and political conditions of his adopted country, and analyzes the castrato's reception, as well as compositional choices, shedding new light on changing musical tastes in late eighteenth-century Britain. Paul F. Rice is professor of musicology at the School of Music, Memorial University of Newfoundland. ER -