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TY  - BOOK
ID  - 33231842
TI  - Olafur Eliasson : experience.
AU  - Eliasson, Olafur
AU  - Kuo, Michelle.
AU  - Engberg-Pedersen, Anna.
PY  - 2018
SN  - 9780714877587 0714877581
DB  - UniCat
KW  - 7.07
KW  - Eliasson, Olafur °1967 (°Kopenhagen, Denemarken)
KW  - Beeldende kunst ; installaties ; 1990-2018 ; Olafur Eliasson
KW  - Environments ; atmosferische aspecten
KW  - Beeldhouwkunst ; in en op openbare plaatsen
KW  - Landschappen ; kunstzinnige ingrepen
KW  - Kunst en natuur
KW  - Licht en water
KW  - Beweging en reflectie
KW  - Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z
KW  - Ólafur Elíasson,
KW  - Ólafur Elíasson
KW  - Studio Olafur Eliasson.
KW  - 705.9
KW  - kunst ; 21e eeuw
KW  - kunst ; 20e eeuw
KW  - Eliasson, Olafur
KW  - Denemarken
KW  - installaties
KW  - conceptuele kunst
KW  - beeldhouwkunst
KW  - kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw
KW  - Art
KW  - light art
KW  - sculpture [visual works]
KW  - photography [process]
KW  - painting [image-making]
KW  - moss [plant]
KW  - color [perceived attribute]
KW  - public art
KW  - water [inorganic material]
KW  - waterfalls [natural bodies of water]
KW  - geometry
KW  - ice
KW  - specular reflection
KW  - installations [visual works]
KW  - mirrors
KW  - eenentwintigste eeuw
KW  - twintigste eeuw
KW  - kunst
KW  - 7.071 ELIASSON
KW  - Eliasson Olafur
KW  - lichtkunst
KW  - licht
KW  - concept art
KW  - Olafur Eliasson.
KW  - Elíasson, Ólafur
KW  - Design
KW  - Innovation
KW  - Science
KW  - Technologie
KW  - ice [water by form]
UR  - https://www.unicat.be/uniCat?func=search&query=sysid:33231842
AB  - Conceived in close collaboration with the artist, this survey tracks almost three decades of Eliasson's artistic practice - including works completed in 2018. Hundreds of illustrations are introduced by a perceptive essay by art historian Michelle Kuo and an interview with Eliasson. The book provides an unparalleled overview of his creative output, which speaks to an astonishingly varied audience, from large-scale installations such as 'The weather project', which drew over two million visitors to London's Tate Modern in 2003-4, to smaller, more delicate works, such as 'watercolours', 'compasses', and 'glass works'. Views of his dynamic studio in Berlin round out the picture.
ER  -