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TY  - BOOK
ID  - 32219786
TI  - Handbook of phenomenological aesthetics
AU  - Sepp, Hans Rainer
AU  - Embree, Lester E.
PY  - 2010
SN  - 9789048124701 9789048124718 9789048124923 9789400731202 9048124700 9048124719 9048124921 9400731205 9786612838910 1282838911
PB  - Dordrecht: Springer,
DB  - UniCat
KW  - Theory of knowledge
KW  - Aesthetics
KW  - Phenomenology
KW  - Phénoménologie
KW  - Esthétique
KW  - EPUB-LIV-FT LIVHUMAI SPRINGER-B
KW  - Philosophy, Modern
KW  - Beautiful, The
KW  - Beauty
KW  - Esthetics
KW  - Taste (Aesthetics)
KW  - Philosophy
KW  - Art
KW  - Criticism
KW  - Literature
KW  - Proportion
KW  - Symmetry
KW  - Psychology
KW  - Aesthetics.
KW  - Phenomenology.
KW  - Phenomenology .
KW  - Philosophy.
KW  - Modern philosophy.
KW  - Philosophy, general.
KW  - Modern Philosophy.
KW  - History of Philosophy.
KW  - Modern philosophy
KW  - Mental philosophy
KW  - Humanities
KW  - Radio broadcasting Aesthetics
KW  - Phénoménologie
KW  - Esthétique
KW  - Philosophy, Modern.
KW  - Early Modern Philosophy.
KW  - History.
UR  - https://www.unicat.be/uniCat?func=search&query=sysid:32219786
AB  - Historically, phenomenology began in Edmund Husserl’s theory of mathematics and logic, went on to focus for him on transcendental rst philosophy and for others on metaphysics, philosophical anthropology, and theory of interpretation. The c- tinuing focus has thus been on knowledge and being. But if one began without those interests and with an understanding of the phenomenological style of approach, one might well see that art and aesthetics make up the most natural eld to be approached phenomenologically. Contributions to this eld have continually been made in the phenomenological tradition from very early on, but, so to speak, along the side. (The situation has been similar with phenomenological ethics. ) A great deal of thought about art and aesthetics has nevertheless accumulated during a century and a handbook like the present one is long overdue. The project of this handbook began in conversations over dinner in Sepp’s apa- ment in Baden-Baden at one evening of the hot European summer in the year 2003. As things worked out, he knew more about whom to ask and how much space to allocate to each entry and Embree knew more about how to conduct the inviting, preliminary editing, and prodding of contributors who were late returning their criticized drafts and copyedited entries and was able to invest the time and other resources from his endowed chair. That process took longer than anticipated and there were additional unfortunate delays due to factors beyond the editors’s control.
ER  -