TY - BOOK ID - 32076347 TI - Post-Unification Turkish German Cinema : Work, Globalisation and Politics Beyond Representation PY - 2018 SN - 3319644319 3319644300 PB - Cham : Springer International Publishing : Imprint: Palgrave Macmillan, DB - UniCat KW - Culture KW - Ethnology KW - Motion pictures and television. KW - Europe, Central KW - World politics. KW - Germany KW - Emigration and immigration. KW - Cultural and Media Studies. KW - Film and Television Studies. KW - European Culture. KW - Migration. KW - History of Germany and Central Europe. KW - Political History. KW - German Politics. KW - Immigration KW - International migration KW - Migration, International KW - Colonialism KW - Global politics KW - International politics KW - Political history KW - Moving-pictures and television KW - Television and motion pictures KW - Cultural studies KW - Study and teaching. KW - Europe. KW - History. KW - Politics and government. KW - Motion pictures, Turkish KW - Motion pictures KW - Cinema KW - Feature films KW - Films KW - Movies KW - Moving-pictures KW - Turkish motion pictures KW - History KW - History and criticism KW - Ethnology-Europe. KW - Europe, Central-History. KW - Germany-Politics and government. KW - Screen Studies. KW - Political science KW - World history KW - Eastern question KW - Geopolitics KW - International organization KW - International relations KW - Television KW - Ethnology—Europe. KW - Europe, Central—History. KW - Germany—Politics and government. KW - Population geography KW - Assimilation (Sociology) KW - Colonization UR - https://www.unicat.be/uniCat?func=search&query=sysid:32076347 AB - This book examines post-Unification Turkish German cinema with a focus on ethics, affectivity and labour. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, the author argues that these films no longer emphasise the conflicts between migrants and citizens. By offering new expressions of lived experience under late capitalism through themes of work, unemployment, insecurity and illegal work, social reproduction, exhaustion and precarity, the films call for a rethinking of the established ideas of class, community and identity.  As the first English-language monograph to focus on Turkish German Cinema, the book offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. By calling into question the limitation of identity-oriented approaches to migrant filmmaking, Naiboglu offers a post-representational approach to a range of works including features films, documentaries and video that deal with labour migration from Turkey to Germany. ER -