TY - BOOK ID - 30909937 TI - Exhibiting fashion : before and after 1971 AU - De la Haye, Amy AU - Clark, Judith Freeman PY - 2013 SN - 9780300125795 0300125798 PB - New Haven, CT : Yale University Press, New Haven and London, DB - UniCat KW - Fashion KW - 907.7 KW - tentoonstellingsopbouw KW - 369.6 KW - 766.7 KW - tentoonstellingen KW - Style in dress KW - Clothing and dress KW - Exhibitions KW - History. KW - geschiedenis, klederdrachten, bijzondere onderwerpen KW - bedrijfseconomie, etaleren - organisatie en inrichting van tentoonstellingen KW - reclamefotografie, modelfotografie KW - Beaton, Cecil, KW - Exhibitions. KW - Victoria and Albert Museum KW - Victoria & Albert Museum KW - Viktoria und Albert Museum KW - Great Britain. KW - V & A (Museum) KW - Muzeʼon Ṿiḳṭoryah-Alberṭ KW - Muzeĭ Viktorii i Alʹberta KW - Музей Виктории и Альберта KW - South Kensington Museum KW - Science Museum (Great Britain) KW - Museum of Ornamental Art KW - Victoria & Albert museum KW - V&A KW - South Kensington museum KW - Museum of manufactures KW - Victoria and Albert museum KW - Mode KW - Histoire KW - Histoire. KW - Exhibitions&delete& KW - History KW - Fashion. KW - 1900-2099. KW - Beaton, Cecil Walter Hardy, -- 1904-1980. KW - Victoria and Albert Museum. UR - https://www.unicat.be/uniCat?func=search&query=sysid:30909937 AB - Publisher's text about the volume: With the dramatic increase in popularity of fashion exhibitions over the past decade, this groundbreaking book provides a timely look at the evolution of the practice, taking as its anchor the seminal 1971 Victoria and Albert Museum exhibition Fashion: An Anthology by Cecil Beaton, revealing it to be symptomatic of a shift in museological attitudes. The authors' combined experience of more than forty years, one in architecture and exhibition design and the other in fashion history and curating, informs their detailed account of the exhibition. Accompanied by photographs of Beaton's museum work published here for the first time, their narrative establishes a perspective from which to view working practices today. Research into international exhibitions from the early 20th century to the present results in some 150 stunning illustrations, including previously unpublished exhibition photographs and out-of-print documents. Through this research and the testimony of curators, exhibition designers, and mannequin manufacturers, the authors discover striking continuity in the development of the fundamental equation of mannequin, dress, and mise-en-scène. A comprehensive chronology from 1971 illustrates the exponential rise in exhibitions of Western dress on an international scale. ER -