TY - BOOK ID - 2932222 TI - Tomb painting and identity in ancient Thebes, 1419-1372 BCE PY - 2004 VL - 10 2 SN - 2503513158 9782503513157 PB - Turnhout : Brepols, DB - UniCat KW - Egypte ancienne KW - Egyptische Oudheid KW - Mural painting and decoration, Ancient KW - Mural painting and decoration, Egyptian KW - Symbolism in art KW - Tombs KW - Allegory (Art) KW - Signs and symbols in art KW - Art KW - Egyptian mural painting and decoration KW - Decoration KW - Mural painting and decoration, Egyptian - Egypt - Thebes (Extinct city) KW - Mural painting and decoration, Ancient - Egypt - Thebes (Extinct city) KW - Tombs - Decoration - Egypt - Thebes (Extinct city) KW - Symbolism in art - Egypt - Thebes (Extinct city) UR - https://www.unicat.be/uniCat?func=search&query=sysid:2932222 AB - Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE examines the style, iconography, and symbolism of painting in all extant private Theban tomb chapels decorated during the reigns of Thutmose IV and Amenhotep III. The book studies the ways in which pictorial imagery functioned on behalf of the dead in the afterlife, presented their identity to the living, and revealed underlying religious developments with important societal implications. Various aspects of the pre-Amarna Theban tomb are explored, from the tomb's purpose as a creative and commemorative vehicle for the deceased to the placement and functional properties of its imagery. The book also discusses the different styles of painting in the chapels of state and religious officials and how these styles reveal workshop organization and "patronage" practices in Thebes. The majority of the book is dedicated to the iconography of the functioning image in the tomb chapel, its reception, and its purpose as a bridge between what was represented and what was signified, between the mundane and the sacred, and between the living and the dead. Particular attention is paid to the iconography on the "western" back walls of the transverse hall in T-shaped tomb chapels, walls that held aesthetic, cultic, and symbolic significance to the ancient Egyptians. On these walls as well as the northern or southern long wall in rectangular tomb chapels, iconography and text commemorated the deceased's personal and professional identity, projected this identity into the hereafter, and contained key components for the tomb owner's rebirth. The eternal well-being of the deceased was secured through the iconography of gift giving that also mirrored religious trends that permeated society. Tomb Painting and Identity in Ancient Thebes, 1419-1372 BCE addresses Theban tomb painting and its underlying creative and commemorative properties as a medium of regeneration, preservation, and display on behalf of the tomb owner and the world of which he was a part. ER -