TY - BOOK ID - 2597716 TI - 12 views of Manet's Bar PY - 1996 VL - *2 SN - 0691036918 9780691036915 0691223963 PB - Cambridge ; New York, NY : Cambridge University Press, DB - UniCat KW - 75.07 KW - Schilderkunst ; Manet ; Bar au Folie Bergère ; 1882 KW - Schilderkunst ; Frankrijk ; 19de eeuw ; Edouard Manet KW - Schilderkunst ; Impressionisme KW - Manet, Edouard 1832-1883 (°Parijs, Frankrijk) KW - Schilderkunst ; schilders KW - Painting KW - Historiography. KW - CDL KW - 75.071 MANET KW - Oil painting KW - Painting, Primitive KW - Paintings KW - Graphic arts KW - Historiography KW - Manet, Edouard, KW - Manet, Édouard, KW - Chabrier, Emmanuel, KW - Manė, Eduard, KW - Manet, Éduard, KW - מאנה, אדוארד, KW - Criticism and interpretation. KW - Manet, Edouard KW - Criticism and interpretation KW - Manet, Edouard, - 1832-1883. - Bar at the Folies-Bergáere. KW - Manet, Edouard, - 1832-1883 - Criticism and interpretation. KW - Painting - Historiography. KW - Manė, Eduard KW - Manet, Éduard KW - ART / History / General. KW - Alphonsus Liguori. KW - Atelier. KW - Autumn. KW - Bar. KW - Bundle of Asparagus. KW - Danse Macabre. KW - Dictionnaire. KW - Hamlet. KW - History of Art. KW - Illuminations. KW - Jesus. KW - Luncheon on the Grass. KW - Manet’s Sources. KW - Nana. KW - Olympia. KW - Philosophy of Right. KW - Quiet. KW - Screen. KW - The Courtauld Collection. KW - The Railroad. KW - The Surprised Nymph. KW - White Girl. KW - Woman with a Parrot. KW - amateurs. KW - comestibles. KW - compotier. KW - consommations. KW - corrida. KW - coulisses. KW - difference. KW - doppelganger. KW - en point. KW - feminist. KW - grand magasin. KW - guinguettes. KW - habit noir. KW - historical. KW - incommunicable. KW - individual experience. KW - lorgnette. KW - maquillage. KW - mirror image. KW - model. KW - modernity. KW - natures mortes. KW - petit-bourgeoise. KW - physical explanation. KW - postmodern. KW - prima facie. KW - promenoir. KW - reflects. KW - representation. KW - seize mai. KW - serveuse. KW - tache. KW - turbulence. KW - vanitas. UR - https://www.unicat.be/uniCat?func=search&query=sysid:2597716 AB - Bradford Collins has assembled here a collection of twelve essays that demonstrates, through the interpretation of a single work of art, the abundance and complexity of methodological approaches now available to art historians. Focusing on Manet's A Bar at the Folies-Bergère, each contributor applies to it a different methodology, ranging from the more traditional to the newer, including feminism, Marxism, Lacanian psychoanalysis, and semiotics. By demonstrating the ways that individual practitioners actually apply the various methodological insights that inform their research, Twelve Views of Manet's "Bar" serves as an excellent introduction to critical methodology as well as a provocative overview for those already familiar with the current discourse of art history. In the process of gaining new insight into Manet's work, and into the discourse of methodology, one discovers that it is not only the individual painting but art history itself that is under investigation. An introduction by Richard Shiff sets the background with a brief history of Manet scholarship and suggestions as to why today's accounts have taken certain distinct directions. The contributors, selected to provide a broad and balanced range of methodological approaches, include: Carol Armstrong, Albert Boime, David Carrier, Kermit Champa, Bradford R. Collins, Michael Paul Driskel, Jack Flam, Tag Gronberg, James D. Herbert, John House, Steven Z. Levine, and Griselda Pollock. ER -