TY - BOOK ID - 25541208 TI - National identity and nineteenth-century Franco-Belgian sculpture PY - 2018 SN - 9781138712515 9781315200132 1138712515 9781351778138 PB - New York ; London : Routledge, Taylor & Francis Group, DB - UniCat KW - Sculpture KW - Belgian [modern] KW - nationalism KW - sculpture [visual works] KW - memorials [monuments] KW - anno 1800-1899 KW - Belgium KW - Sculpture, Belgian KW - Nationalism and art KW - French influences KW - BPB9999 KW - Art and nationalism KW - Art KW - Belgian sculpture KW - BPB2009 KW - beeldhouwwerk KW - België KW - Bélgica KW - Belgija KW - Belgique KW - Belgien KW - Belgie KW - Belgicko KW - Beļģija KW - Белгија KW - Belgio KW - Белгия KW - Belgia KW - il-Belġju KW - An Bheilg KW - Βέλγιο KW - Belgjika KW - Belgia Kuningriik KW - Beļģijas Karaliste KW - Royaume de Belgique KW - Belgian kuningaskunta KW - Belgické kráľovstvo KW - Koninkrijk België KW - Belgijos Karalystė KW - das Königreich Belgien KW - Βασίλειο του Βελγίου KW - Kingdom of Belgium KW - Кралство Белгија KW - Краљевина Белгија KW - Belgické království KW - Reino de Bélgica KW - ir-Renju tal-Belġju KW - Regatul Belgiei KW - Kongeriget Belgien KW - Кралство Белгия KW - Mbretëria e Belgjikës KW - Belga Királyság KW - Królestwo Belgii KW - Konungariket Belgien KW - Reino da Bélgica KW - Kraljevina Belgija KW - Regno del Belgio KW - skulptuur KW - billedhuggerkunst KW - Bildhauerei KW - sochárstvo KW - kiparstvo KW - rzeźba KW - вајарство KW - scultura KW - skulptūra KW - szobrászat KW - γλυπτική KW - skultura KW - sculpture KW - skulpturë KW - escultura KW - скулптура KW - sculptură KW - sochařství KW - kuvanveisto KW - skulptur KW - вајање KW - статуа KW - dealbh KW - Sculpture, Belgian - 19th century KW - Sculpture, Belgian - French influences - 19th century KW - Nationalism and art - Belgium KW - België KW - nationale identiteit UR - https://www.unicat.be/uniCat?func=search&query=sysid:25541208 AB - This book elaborates on the social and cultural phenomenon of national schools during the nineteenth century, via the less-studied field of sculpture and using Belgium as a case study. The role, importance of and emphasis on certain aspects of national identity evolved throughout the century, while a diverse array of criteria were indicated by commissioners, art critics, or artists, that supposedly constituted a 'national sculpture.' By confronting the role and impact of the four most crucial actors within the artistic field (politics, education, exhibitions, public commissions) with a linear timeframe, this book offers a chronological as well as a thematic approach. Artists covered include Guillaume Geefs, Eugene Simonis, Charles Van der Stappen, Julien Dillens, Paul Devigne, Constantin Meunier, and George Minne ER -