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TY  - BOOK
ID  - 19367662
TI  - Influence in art and literature.
PY  - 1975
SN  - 0691071942 0691618097 1400869455 0691645132 9780691071947
PB  - Princeton (N.J.) : Princeton university press,
DB  - UniCat
KW  - Judgment (Aesthetics)
KW  - Influence littéraire, artistique, etc.
KW  - Jugement (Esthétique)
KW  - Influence (Literary, artistic, etc)
KW  - -Themes, motives.
KW  - Judgment (Aesthetics).
KW  - Influence littéraire, artistique, etc.
KW  - Jugement (Esthétique)
KW  - Art
KW  - Influence (Literary, artistic, etc.)
KW  - Literature
KW  - -Artistic impact
KW  - Artistic influence
KW  - Impact (Literary, artistic, etc.)
KW  - Literary impact
KW  - Literary influence
KW  - Literary tradition
KW  - Tradition (Literature)
KW  - Belles-lettres
KW  - Western literature (Western countries)
KW  - World literature
KW  - Themes, motives.
KW  - Philosophy
KW  - Subjects
KW  - Comparative literature
KW  - Littérature
KW  - Themes, motives
KW  - Thèmes, motifs
KW  - Philosophie
KW  - Aesthetics
KW  - Artistic impact
KW  - Influence (Psychology)
KW  - Intermediality
KW  - Intertextuality
KW  - Originality in literature
KW  - Literature and philosophy
KW  - Philosophy and literature
KW  - Theory
KW  - Influence (Literary, artistic, etc.).
KW  - Philosophy.
KW  - Art - Themes, motives
KW  - Literature - Philosophy
KW  - Adjective.
KW  - Aesthetic Theory.
KW  - Aesthetics.
KW  - Allegory.
KW  - Allusion.
KW  - Anachronism.
KW  - Ancient art.
KW  - Anecdote.
KW  - Antithesis.
KW  - Art criticism.
KW  - Art history.
KW  - Artistic merit.
KW  - Baroque painting.
KW  - Caravaggio.
KW  - Carolingian art.
KW  - Causality.
KW  - Cliché.
KW  - Clinamen.
KW  - Close reading.
KW  - Comparative literature.
KW  - Comparative method (linguistics).
KW  - Contemporary art.
KW  - Contemporary philosophy.
KW  - Counterfactual conditional.
KW  - Criticism.
KW  - Cubism.
KW  - D. H. Lawrence.
KW  - Deed.
KW  - Digression.
KW  - Drapery.
KW  - Engraving.
KW  - Epic poetry.
KW  - Explanation.
KW  - Ezra Pound.
KW  - Fine art.
KW  - Florentine painting.
KW  - Forgery.
KW  - French literature.
KW  - Genre.
KW  - Human Action.
KW  - Humanities.
KW  - Iconography.
KW  - Ideogrammic method.
KW  - Ideology.
KW  - Illocutionary act.
KW  - Illusionism (art).
KW  - Illustration.
KW  - Illustrator.
KW  - Imagery.
KW  - Indian aesthetics.
KW  - Individualism.
KW  - Invention.
KW  - Japanese art.
KW  - Journalism.
KW  - Languages of Art.
KW  - Las Meninas.
KW  - Literary genre.
KW  - Literature.
KW  - Marcel Duchamp.
KW  - Metaphor.
KW  - Monograph.
KW  - Mural.
KW  - Mutatis mutandis.
KW  - Narrative.
KW  - Oil sketch.
KW  - Ontology.
KW  - Originality.
KW  - Overreaction.
KW  - Pablo Picasso.
KW  - Paul Gauguin.
KW  - Perlocutionary act.
KW  - Philosopher.
KW  - Philosophy of history.
KW  - Philosophy of language.
KW  - Plagiarism.
KW  - Poetry.
KW  - Publication.
KW  - Publishing.
KW  - Rapprochement.
KW  - Requirement.
KW  - Result.
KW  - Romanticism.
KW  - Secondary source.
KW  - Speech act.
KW  - Still life.
KW  - Stipulation.
KW  - Stipulative definition.
KW  - Suggestion.
KW  - Symbolism (arts).
KW  - The Conceptual Framework.
KW  - Theory of art.
KW  - Theory.
KW  - Thought.
KW  - Titian.
KW  - Treatise.
KW  - Value judgment.
KW  - Visual arts.
KW  - Work of art.
KW  - Writer.
KW  - Writing.
UR  - https://www.unicat.be/uniCat?func=search&query=sysid:19367662
AB  - This is a systematic study of the conceptual framework used by critics and scholars in their discussions of influence in art and literature. Göran Hermerén explores the key questions raised in scholarly debate on the topic: What is meant by "influence"? What methods can be used to settle disagreements about influence? What reasons could be used to support or reject statements about artistic and literary influence? The book is based on descriptive analyses in which the author has tried to make explicit what is said or implied in a number of "ations from scholarly writings on art and literature. Throughout, the emphasis is on clarifying the assumptions on which the use of the concept of influence is based, thus describing the limitations and merits of this kind of comparative research for critics and scholars.Originally published in 1975.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
ER  -