TY - BOOK ID - 17297213 TI - Beautiful evidence. PY - 2006 SN - 9780961392178 0961392177 PB - Cheshire Graphics press DB - UniCat KW - Visual communication KW - 754.46 KW - grafische vormgeving, volgens thema, info/bewegwijzering KW - Arts visuels KW - 302.23 KW - diagrammen KW - informatie KW - kaarten KW - tabellen KW - 7.071 TUFTE KW - 766.01 KW - 766.071 TUFTE KW - beeldhouwkunst KW - Edward R. Tufte KW - eenentwintigste eeuw KW - grafische vormgeving KW - grafisch ontwerp KW - illustraties KW - informatiedesign KW - kunst KW - Tufte Edward KW - twintigste eeuw KW - Verenigde Staten KW - 007 KW - Graphic communication KW - Imaginal communication KW - Pictorial communication KW - Communication KW - Communicatie KW - Visuele communicatie KW - Graphisme KW - Communication visuelle KW - Lisibilité KW - Représentation graphique KW - Traitement de l'image KW - Traitement de l'information KW - Traitement de l'objet KW - Visual communication. KW - Mass communications KW - visuele communicatie KW - #SBIB:303H60 KW - #SBIB:309H500 KW - #SBIB:316.7C214 KW - #SBIB:303H520 KW - Bijzondere methoden: algemeen KW - De theoretische benadering van code en boodschap: algemene werken KW - Cultuursociologie: plastische kunsten, monumenten KW - Methoden sociale wetenschappen: techniek van de analyse, algemeen UR - https://www.unicat.be/uniCat?func=search&query=sysid:17297213 AB - Science and art have in common intense seeing, the wide-eyed observing that generates visual information. Beautiful Evidence is about how seeing turns into showing, how data and evidence turn into explanation. The book identifies excellent and effective methods for showing nearly every kind of information, suggests many new designs (including sparklines), and provides analytical tools for assessing the credibility of evidence presentations (which are seen from both sides: how to produce and how to consume presentations). For alert consumers of presentations, there are chapters on diagnosing evidence corruption and PowerPoint pitches. Beautiful Evidence concludes with 2 chapters that leave the world of pixel and paper flatland representations - and move onto seeing and thinking in space land, the real-land of three-space and time. ER -