TY - BOOK ID - 17249566 TI - Unconcealed : the International network of conceptual artists 1967-77 : dealers, exhibitions and public collections AU - Richard, Sophie AU - Morris, Lynda PY - 2009 SN - 1905464177 9781905464173 PB - London : Norwich : Ridinghouse ; Norwich University College of the Arts, DB - UniCat KW - Conceptual art KW - Art, European KW - Art museums KW - Art galleries, Commercial KW - Art KW - Collectors and collecting KW - collecties KW - verzamelaars KW - Maenz Paul KW - Fischer Konrad KW - Darboven Hanne KW - minimal art KW - minimalisme KW - Siegelaub Seth KW - Lippard Lucy R. KW - Sperone Gian Enzo KW - Wide White Space KW - König Walther KW - Op losse schroeven KW - When attitudes become form KW - Kosuth Joseph KW - Huebler Douglas KW - Greenwood Nigel KW - Wendler Jack KW - Ludwig Peter KW - Ströher Karl KW - Speck Reiner KW - Hahn Wolfgang KW - Herbig Jost KW - Hock Wolfgang KW - Matthys Roger KW - Peeters Hubert KW - Goeminne André KW - Perlstein Sylvain KW - Fiszman I9si KW - Daled herman KW - Herbert Annick KW - Becht Frits KW - Becht Agnes KW - van Eelen Herman KW - van Eelen Henriëtte KW - Visser Martin KW - Visser Mia KW - Palumbo Peter KW - Gordon Max KW - Power Ted KW - Power Alan KW - Rausmüller Urs KW - Marzona Egidio KW - Baldassare Angelo KW - Panza Giuseppe KW - Ammann Jean-Christophe KW - Charlier Jacques KW - De Decker Anny KW - Fuchs Rudi KW - Harrison Charles KW - Honnef Klaus KW - Logsdail Nicholas KW - Preisig Rolf KW - Serota Nicholas KW - Szeemann Harald KW - Tremlett David KW - Daled Herman KW - Conceptual art. KW - Art museums. KW - Art galleries, Commercial. KW - Collectors and collecting. KW - 7.038 KW - Andre Carl KW - Art & Language KW - Broodthaers Marcel KW - Buren Daniel KW - concept art KW - conceptuele kunst KW - Dibbets Jan KW - galeries KW - Gilbert & George KW - kunst KW - LeWitt Sol KW - Lippard Lucy R KW - Long Richard KW - Merz Mario KW - twintigste eeuw KW - Weiner Lawrence KW - Art, Conceptual KW - Concept art KW - Language art (Fine arts) KW - Possible art KW - Post-object art KW - Art, Modern KW - Performance art KW - Earthworks (Art) KW - Sky art KW - Art, Occidental KW - Art, Visual KW - Art, Western (Western countries) KW - Arts, Fine KW - Arts, Visual KW - Fine arts KW - Iconography KW - Occidental art KW - Visual arts KW - Western art (Western countries) KW - Arts KW - Aesthetics KW - Art collections KW - Art galleries KW - Galleries, Art KW - Galleries, Public art KW - Picture-galleries KW - Public art galleries KW - Public galleries (Art museums) KW - Arts facilities KW - Museums KW - Commercial art galleries KW - Print galleries KW - Prints KW - Galleries and museums KW - Art styles KW - anno 1970-1979 KW - anno 1960-1969 KW - Europe KW - Art conceptuel KW - Histoire KW - Histoire. KW - Art, European. KW - Ausstellung. KW - Concept-art. KW - Kunstbetrieb. KW - Kunstgalerie. KW - Kunsthandel. KW - Künstler. KW - Soziales Netzwerk. KW - Serota, Nicholas. KW - 1900-1999. KW - Geschichte 1967-1977. KW - Europa. KW - Europe. KW - Art, Primitive KW - Conceptual art - Europe KW - Art, European - 20th century KW - Conceptual art - Europe - Exhibitions KW - Art museums - Europe KW - Art galleries, Commercial - Europe KW - Art - Collectors and collecting - Europe UR - https://www.unicat.be/uniCat?func=search&query=sysid:17249566 AB - "Unconcealed" describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--Publisher's website ER -