TY - BOOK ID - 17237099 TI - Point of view in the cinema : a theory of narration and subjectivity in classical film AU - Branigan, Edward AU - Bordwell, David PY - 1984 VL - 66 SN - 9027930791 3111770044 3110817594 9783110817591 9789027930798 PB - Berlin: Mouton, DB - UniCat KW - Motion pictures KW - Motion picture plays KW - Point of view (Literature) KW - Philosophy KW - History and criticism KW - Point of view (Literature). KW - Subjectivity in motion pictures. KW - History and criticism. KW - Philosophy. KW - Narration KW - Point de vue (cinéma) KW - Literary semiotics KW - Film KW - 791.43.01 KW - #SBIB:309H523 KW - Edward R. Branigan ; Foreword by David Bordwell KW - film KW - filmtheorie KW - narratologie KW - auteurtheorie KW - film en literatuur KW - film en semiotiek KW - 791.41 KW - -Motion pictures KW - -Point of view (Literature) KW - Subjectivity in motion pictures KW - Point of view in motion pictures KW - Subjective camera KW - Fiction KW - Narration (Rhetoric) KW - Persona (Literature) KW - 791.43.01 Filmologie. Filmtheorie. Esthetica van de film KW - Filmologie. Filmtheorie. Esthetica van de film KW - Cinema KW - Feature films KW - Films KW - Movies KW - Moving-pictures KW - Audio-visual materials KW - Mass media KW - Performing arts KW - Film plays KW - Film scripts KW - Filmscripts KW - Motion picture scripts KW - Moving-picture plays KW - Photoplays KW - Scenarios KW - Screen plays KW - Screenplays KW - Scripts (Motion pictures) KW - Drama KW - Audiovisuele communicatie: verhaalanalyse KW - Technique KW - Cinéma KW - Film. KW - Motion pictures - Philosophy KW - Motion picture plays - History and criticism UR - https://www.unicat.be/uniCat?func=search&query=sysid:17237099 AB - Branigan effectively criticizes the communication model of narration, a task long overdue in Anglo-American circles. The book brings out the extent to which mainstream mimetic theories have relied upon the elastic notion of an invisible, idealized observer, a convenient spook whom critics can summon up whenever they desire to "naturalize" style. The book also makes distinctions among types of subjectivity; after this, we will have much more precise ways of tracing the fluctuations among a character's vision, dreams, wishes, and so forth. Branigan also explains the necessity of distinguishing levels of narration. ER -