TY - BOOK ID - 1696359 TI - Canons and canonic techniques, 14th-16th centuries : theory, practice, and reception history : Leuven, International conference, 4-6 october 2005 : proceedings AU - Schiltz, Katelijne AU - Blackburn, Bonnie J. AU - Peeters PY - 2007 VL - 1 SN - 9789042916814 9042916818 PB - Leuven Dudley, MA Peeters DB - UniCat KW - Music KW - canons KW - muziekgeschiedenis KW - anno 1400-1499 KW - anno 1300-1399 KW - anno 1500-1599 KW - Canon (Forme musicale) KW - Canon (Musical form) KW - Canon (Muzikale vorm) KW - 091:78 KW - 091 <063> KW - 784.18 KW - Handschriften i.v.m. muziek KW - Handschriftenkunde. Handschriftencatalogi--Congressen KW - Arts Music Musical forms KW - Conferences - Meetings KW - 091 <063> Handschriftenkunde. Handschriftencatalogi--Congressen KW - 091:78 Handschriften i.v.m. muziek KW - Congresses. KW - Congresses KW - Canons, fugues, etc. KW - Counterpoint KW - Musical form KW - History and criticism UR - https://www.unicat.be/uniCat?func=search&query=sysid:1696359 AB - Although canons pervade music of the Middle Ages and the Renaissance, they have not received proportionate attention in the musicological literature. The contributions in this book shed light on canons and canonic techniques from a wide range of perspectives, such as music theory and analysis, compositional and performance practice, palaeography and notation, as well as listening expectations and strategies. Especially in the case of riddle canons, insights from other disciplines such as literature, theology, iconography, emblematics, and philosophy have proved crucial for a better understanding and interpretation of how such pieces were created. The essays extend from the early period of canonic writing to the seventeenth century, ending with three contributions concerned with the reception history of medieval and Renaissance canons in music and writings on music from the Age of Enlightenment to the present ER -