TY - BOOK ID - 16132779 TI - Spaces of Surveillance : States and Selves AU - Flynn, Susan. AU - Mackay, Antonia. PY - 2017 SN - 3319490850 3319490842 PB - Cham : Springer International Publishing : Imprint: Palgrave Macmillan, DB - UniCat KW - Electronic surveillance KW - National security. KW - Internal security. KW - Government policy. KW - Security, Internal KW - National security KW - National security policy KW - NSP (National security policy) KW - Security policy, National KW - Electronics in surveillance KW - SIGINT (Electronic surveillance) KW - Signals intelligence KW - Surveillance, Electronic KW - Government policy KW - Insurgency KW - Subversive activities KW - Economic policy KW - International relations KW - Military policy KW - Remote sensing KW - Culture-Study and teaching. KW - Philosophy. KW - Self. KW - Social media. KW - Motion pictures. KW - Technology in literature. KW - Cultural Theory. KW - Philosophy of Technology. KW - Self and Identity. KW - Social Media. KW - Film Theory. KW - Literature and Technology/Media. KW - Cinema KW - Feature films KW - Films KW - Movies KW - Moving-pictures KW - Audio-visual materials KW - Mass media KW - Performing arts KW - User-generated media KW - Communication KW - User-generated content KW - Personal identity KW - Consciousness KW - Individuality KW - Mind and body KW - Personality KW - Thought and thinking KW - Will KW - Mental philosophy KW - Humanities KW - History and criticism KW - Culture—Study and teaching. KW - Identity (Psychology). KW - Self KW - Ego (Psychology) UR - https://www.unicat.be/uniCat?func=search&query=sysid:16132779 AB - In a world of ubiquitous surveillance, watching and being watched are the salient features of the lives depicted in many of our cultural productions. This collection examines surveillance as it is portrayed in art, literature, film and popular culture, and makes the connection between our sense of ‘self’ and what is ‘seen’. In our post-panoptical world which purports to proffer freedom of movement, technology notes our movements and habits at every turn. Surveillance seeps out from businesses and power structures to blur the lines of security and confidentiality. This unsettling loss of privacy plays out in contemporary narratives, where the ‘selves’ we create are troubled by surveillance. This collection will appeal to scholars of media and cultural studies, contemporary literature, film and art and American studies. . ER -