TY - BOOK ID - 146315124 TI - Animal Narratology PY - 2020 PB - Basel, Switzerland MDPI - Multidisciplinary Digital Publishing Institute DB - UniCat KW - Research & information: general KW - Biology, life sciences KW - Animals & society KW - animal narrators KW - anthropocentrism KW - cultural ontologies KW - discourse analysis KW - fiction-nonfiction distinction KW - framing and footing KW - life writing KW - narratology KW - politeness KW - self-narratives KW - animal studies KW - human-animal studies KW - speaking animals KW - Tolstoy KW - Bulgakov KW - trauma theory KW - Russian literature KW - allegory KW - humanism KW - literary theory KW - film studies KW - George Orwell KW - Animal Farm KW - Chicken Run KW - Uwe Timm KW - 'Morenga' KW - African history KW - colonialism KW - postcolonial German literature KW - animal narratology KW - multi-perspective narration KW - animal agency KW - The Plague Dogs KW - Richard Adams KW - unreliability KW - talking animal stories KW - non-human focalizer KW - Pincher Martin KW - non-human narrators KW - intradiegetic narration KW - Gerard Genette KW - anthropomorphism KW - Eric Linklater KW - The Wind on the Moon KW - direct speech KW - characterization KW - posthumanism KW - inter-species comprehension KW - Hindi cinema KW - Bollywood KW - animal narrator KW - world literature KW - empathy KW - Cartesian dualism KW - Maurice Merleau-Ponty KW - animal poetry KW - 'Inventing a Horse KW - 'Spermaceti' KW - eco-humanities KW - eco-criticism KW - eco-philosophy KW - Industrial Farm Animal Production KW - narrative KW - plot KW - conflict KW - environmental crisis KW - catastrophe KW - play theory KW - Franz Kafka KW - manuscripts KW - speaking-for KW - narrative representation KW - literary representation KW - animal autobiography KW - fictional autobiography KW - meta-autobiography KW - contextualist narratology KW - cultural and literary animal studies KW - poetics of knowledge KW - zoology KW - natural history KW - equine autozoography KW - horse-science KW - narrative voice KW - inoperativity KW - singing mice KW - zoopoetics KW - anthropological machine KW - community KW - music KW - Cervantes KW - Novelas ejemplares KW - El coloquio de los perros KW - Novela del casamiento engañoso KW - Siglo de Oro KW - Early Modern Age KW - cynicism KW - Diogenes of Sinope KW - Montaigne KW - Derrida KW - Animal Studies KW - rhetoric KW - animal narration KW - fable KW - Aesopic fables KW - Greek fable KW - antagonistic fables KW - comics KW - animals KW - cinema KW - sound effects KW - science fiction KW - Achilles KW - Archilochus KW - fox KW - Gryllus KW - Hesiod KW - Homer KW - Lucian KW - pig KW - Plutarch KW - Pythagoras KW - rooster KW - Xanthus KW - talking dogs KW - agency KW - animal KW - dystopia KW - Marie Darrieussecq KW - human KW - non-human KW - Truismes KW - Kafka studies KW - adaptation studies KW - intertextuality KW - intermediality KW - mimesis KW - emulation KW - imitation KW - repetition KW - parody KW - autobiography KW - genre KW - entanglement KW - Cixous KW - dogs KW - earth KW - worldviews KW - indigenous wisdom traditions KW - relationality KW - ecology KW - language KW - more-than-human geography KW - multispecies ethnography KW - ecopsychology KW - anthropology KW - environmental philosophy KW - decolonization KW - intuition KW - instinct KW - myth KW - non-verbal communication KW - IK KW - TEK KW - animality KW - film KW - White God KW - filmic representation of animals KW - material ecocriticism KW - Moby-Dick KW - Werner Herzog KW - Hans Sahl KW - lyric poetry KW - mole KW - space KW - time KW - species KW - metamorphosis KW - transformation KW - exile KW - animal narrators KW - anthropocentrism KW - cultural ontologies KW - discourse analysis KW - fiction-nonfiction distinction KW - framing and footing KW - life writing KW - narratology KW - politeness KW - self-narratives KW - animal studies KW - human-animal studies KW - speaking animals KW - Tolstoy KW - Bulgakov KW - trauma theory KW - Russian literature KW - allegory KW - humanism KW - literary theory KW - film studies KW - George Orwell KW - Animal Farm KW - Chicken Run KW - Uwe Timm KW - 'Morenga' KW - African history KW - colonialism KW - postcolonial German literature KW - animal narratology KW - multi-perspective narration KW - animal agency KW - The Plague Dogs KW - Richard Adams KW - unreliability KW - talking animal stories KW - non-human focalizer KW - Pincher Martin KW - non-human narrators KW - intradiegetic narration KW - Gerard Genette KW - anthropomorphism KW - Eric Linklater KW - The Wind on the Moon KW - direct speech KW - characterization KW - posthumanism KW - inter-species comprehension KW - Hindi cinema KW - Bollywood KW - animal narrator KW - world literature KW - empathy KW - Cartesian dualism KW - Maurice Merleau-Ponty KW - animal poetry KW - 'Inventing a Horse KW - 'Spermaceti' KW - eco-humanities KW - eco-criticism KW - eco-philosophy KW - Industrial Farm Animal Production KW - narrative KW - plot KW - conflict KW - environmental crisis KW - catastrophe KW - play theory KW - Franz Kafka KW - manuscripts KW - speaking-for KW - narrative representation KW - literary representation KW - animal autobiography KW - fictional autobiography KW - meta-autobiography KW - contextualist narratology KW - cultural and literary animal studies KW - poetics of knowledge KW - zoology KW - natural history KW - equine autozoography KW - horse-science KW - narrative voice KW - inoperativity KW - singing mice KW - zoopoetics KW - anthropological machine KW - community KW - music KW - Cervantes KW - Novelas ejemplares KW - El coloquio de los perros KW - Novela del casamiento engañoso KW - Siglo de Oro KW - Early Modern Age KW - cynicism KW - Diogenes of Sinope KW - Montaigne KW - Derrida KW - Animal Studies KW - rhetoric KW - animal narration KW - fable KW - Aesopic fables KW - Greek fable KW - antagonistic fables KW - comics KW - animals KW - cinema KW - sound effects KW - science fiction KW - Achilles KW - Archilochus KW - fox KW - Gryllus KW - Hesiod KW - Homer KW - Lucian KW - pig KW - Plutarch KW - Pythagoras KW - rooster KW - Xanthus KW - talking dogs KW - agency KW - animal KW - dystopia KW - Marie Darrieussecq KW - human KW - non-human KW - Truismes KW - Kafka studies KW - adaptation studies KW - intertextuality KW - intermediality KW - mimesis KW - emulation KW - imitation KW - repetition KW - parody KW - autobiography KW - genre KW - entanglement KW - Cixous KW - dogs KW - earth KW - worldviews KW - indigenous wisdom traditions KW - relationality KW - ecology KW - language KW - more-than-human geography KW - multispecies ethnography KW - ecopsychology KW - anthropology KW - environmental philosophy KW - decolonization KW - intuition KW - instinct KW - myth KW - non-verbal communication KW - IK KW - TEK KW - animality KW - film KW - White God KW - filmic representation of animals KW - material ecocriticism KW - Moby-Dick KW - Werner Herzog KW - Hans Sahl KW - lyric poetry KW - mole KW - space KW - time KW - species KW - metamorphosis KW - transformation KW - exile UR - https://www.unicat.be/uniCat?func=search&query=sysid:146315124 AB - Animal Narratology interrogates what it means to narrate, to speak—speak for, on behalf of—and to voice, or represent life beyond the human, which is in itself as different as insects, bears, and dogs are from each other, and yet more, as individual as a single mouse, horse, or puma. The varied contributions to this interdisciplinary Special Issue highlight assumptions about the human perception of, attitude toward, and responsibility for the animals that are read and written about, thus demonstrating that just as “the animal” does not exist, neither does “the human”. In their zoopoetic focus, the analyses are aware that animal narratology ultimately always contains an approximation of an animal perspective in human terms and terminology, yet they make clear that what matters is how the animal is approximated and that there is an effort to approach and encounter the non-human in the first place. Many of the analyses come to the conclusion that literary animals give readers the opportunity to expand their own points of view both on themselves and others by adopting another’s perspective to the degree that such an endeavor is possible. Ultimately, the contributions call for a recognition of the many spaces, moments, and modes in which human lives are entangled with those of animals—one of which is located within the creative bounds of storytelling. ER -