TY - BOOK ID - 14215974 TI - The lives of machines : the industrial imaginary in Victorian literature and culture PY - 2011 SN - 0472071408 0472051407 0472900358 9780472900350 9780472051403 9780472071401 PB - Ann Arbor, Michigan : University of Michigan Press, DB - UniCat KW - English literature KW - Literature and technology KW - Machinery in literature KW - Machinery KW - Technology KW - English KW - Languages & Literatures KW - English Literature KW - History and criticism KW - History KW - Social aspects KW - Applied science KW - Arts, Useful KW - Science, Applied KW - Useful arts KW - Machines KW - Industry and literature KW - Technology and literature KW - Curious devices KW - Science KW - Industrial arts KW - Material culture KW - Manufactures KW - Power (Mechanics) KW - Mechanical engineering KW - Motors KW - Power transmission KW - British literature KW - Inklings (Group of writers) KW - Nonsense Club (Group of writers) KW - Order of the Fancy (Group of writers) KW - India KW - History. KW - Technology -- Social aspects -- Great Britain -- History -- 19th century KW - Literature and technology -- Great Britain -- History -- 19th century KW - Machinery -- Great Britain -- History -- 19th century KW - English literature -- 19th century -- History and criticism KW - Machinery in literature. KW - History and criticism. UR - https://www.unicat.be/uniCat?func=search&query=sysid:14215974 AB - Today we commonly describe ourselves as machines that "let off steam" or feel "under pressure." The Lives of Machines investigates how Victorian technoculture came to shape this language of human emotion so pervasively and irrevocably and argues that nothing is more intensely human and affecting than the nonhuman. Tamara Ketabgian explores the emergence of a modern and more mechanical view of human nature in Victorian literature and culture. Treating British literature from the 1830s to the 1870s, this study examines forms of feeling and community that combine the vital and the mechanical, the human and the nonhuman, in surprisingly hybrid and productive alliances. Challenging accounts of industrial alienation that still persist, the author defines mechanical character and feeling not as erasures or negations of self, but as robust and nuanced entities in their own right. The Lives of Machines thus offers an alternate cultural history that traces sympathies between humans, animals, and machines in novels and nonfiction about factory work as well as in other unexpected literary sites and genres, whether domestic, scientific, musical, or philosophical. Ketabgian historicizes a model of affect and community that continues to inform recent theories of technology, psychology, and the posthuman. The Lives of Machines will be of interest to students of British literature and history, history of science and of technology, novel studies, psychoanalysis, and postmodern cultural studies. ER -