TY - BOOK ID - 139004366 TI - Simone Verovio : Music printing, intabulations and basso continuo in Rome around 1600 AU - Campagne, Augusta AU - Grassl , Markus AU - Kapp, Reinhard PY - 2018 PB - Böhlau DB - UniCat KW - Music KW - Music History KW - 16th Century KW - 17th Century KW - Partituren KW - Musical Scores KW - Musikgeschichte KW - AVGC3 KW - AVGC4 KW - Baroque music (c. 1600 to c. 1750) KW - Classical music (c. 1750 to c. 1830) KW - Bass (voice type) KW - Cadence KW - Canzonetta KW - Figured bass KW - Harpsichord KW - Intabulation KW - Lute KW - Rome UR - https://www.unicat.be/uniCat?func=search&query=sysid:139004366 AB - Simone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice. ER -