TY - BOOK ID - 113173161 TI - Paper knives, paper crowns : political prints in the Dutch Republic AU - Warren, Maureen AU - Cillessen, Wolfgang AU - Hale, Meredith McNeill AU - Krannert Art Museum. AU - University of San Diego. AU - Smith College. PY - 2022 SN - 9781646570294 1646570294 PB - Champaign, IL : Krannert Art Museum, University of Illinois Urbana-Champaign, DB - UniCat KW - Art KW - prints [visual works] KW - political art KW - Political art KW - Political cartoons. KW - Politics and government. KW - Prints, Dutch KW - Prints, Dutch. KW - 1568-1648. KW - Netherlands. KW - Graphic arts KW - politiek KW - propaganda KW - prenten KW - satire KW - karikaturen KW - de Hooghe, Romeyn KW - de Passe, Crispijn (de Jonge) KW - 17de eeuw KW - Nederlanden KW - Noordelijke Nederlanden KW - Political cartoons KW - Politics and government KW - Netherlands UR - https://www.unicat.be/uniCat?func=search&query=sysid:113173161 AB - "Paper Knives, Paper Crowns: Political Prints in the Dutch Republic explores the myriad and complex visual strategies early modern Netherlandish printmakers used to memorialize historical events, lionize and demonize domestic and international leaders, and form consensus for collective action. Netherlandish printmakers experimented with graphic visual language in a daring and subversive fashion. They supplemented conventions and tropes inherited from medieval and Renaissance maps, city views, book illustrations, news prints, and polemical prints and established new forms of expression. While some of their prints employ visual puns and humor that even the illiterate could enjoy, others were captioned in Latin or French as well as Dutch, enticing educated elites across Europe to explore the relationship between text and image. Through mercantile and diplomatic channels, Dutch political prints transcended national and temporal boundaries to make a lasting impact. The catalogue essays present a comprehensive chronological arc and thematic overview, addressing multiple types of printmaking as well as the medium's relationship to other art forms, including "fine art" printmaking, painting, drawing, sculpture, and architecture. As such, the book engages deeply with art historical scholarship and studies of early modern political history and theory. The publication will demonstrate that methods of using images to comment upon, manage, and understand political life in practice today are indebted to the radical innovations of early modern printmakers in the Dutch Republic"-- ER -