TY - BOOK ID - 103851146 TI - Making copies in European art 1400-1600 : shifting tastes, modes of transmission, and changing contexts PY - 2018 SN - 9004360891 9004379592 9789004360891 9789004379596 PB - Leiden: Boston: Brill, DB - UniCat KW - Painting, Renaissance KW - Pictures - Copying KW - Art and society - Europe - History - To 1500 KW - Art and society - Europe - History - 16th century KW - Painting, Renaissance. KW - Peinture de la Renaissance. KW - Pictures KW - Illustrations, images, etc. KW - Art and society KW - Art KW - Copying. KW - Reproduction KW - Reproduction. KW - History KW - Aspect social KW - Copying KW - Influence KW - Art and sociology KW - Society and art KW - Sociology and art KW - Paintings, Renaissance KW - Renaissance painting KW - Social aspects KW - History of civilization KW - art [discipline] KW - cultuurgeschiedenis KW - copies [derivative objects] KW - Renaissance KW - anno 1400-1499 KW - anno 1500-1599 KW - Europe UR - https://www.unicat.be/uniCat?func=search&query=sysid:103851146 AB - Making Copies in European Art 1400-1600, edited by Maddalena Bellavitis, consists of 16 essays that explore the form and function, manner and meaning of copies after Renaissance works of art. The authors construe copying as a method of exchange based in the theory and practice of imitation, and they investigate the artistic techniques that enabled and facilitated the production of copies. They also ask what patrons and collectors wanted from a copy, which characteristics of an artwork were considered copyable, and where and how copies were stored, studied, displayed, and circulated. Making Copies in European Art, in addition to studying many unfamiliar pictures, incorporates previously unpublished documentary materials. ER -