TY - BOOK ID - 101698602 TI - Music as Cultural Heritage and Novelty AU - Andreica, Oana AU - SpringerLink (Online service) PY - 2022 SN - 9783031111464 PB - Cham Springer International Publishing :Imprint: Springer DB - UniCat KW - Music KW - Cross-cultural studies. KW - History and criticism. KW - Social aspects. KW - Music and society KW - Comparison of cultures KW - Inter-cultural studies KW - Intercultural studies KW - Trans-cultural studies KW - Transcultural studies KW - Culture KW - Ethnology KW - Social sciences KW - Criticism KW - Methodology KW - Cultural property. KW - Art KW - Semiotics. KW - Philosophy of Music. KW - Cultural Heritage. KW - Art History. KW - Creativity and Arts Education. KW - Philosophy and aesthetics. KW - History. KW - Study and teaching. KW - Art education KW - Education, Art KW - Art schools KW - Semeiotics KW - Semiology (Linguistics) KW - Semantics KW - Signs and symbols KW - Structuralism (Literary analysis) KW - Art history KW - History of art KW - Cultural heritage KW - Cultural patrimony KW - Cultural resources KW - Heritage property KW - National heritage KW - National patrimony KW - National treasure KW - Patrimony, Cultural KW - Treasure, National KW - Property KW - World Heritage areas KW - Hermeneutics (Music) KW - Musical aesthetics KW - Aesthetics KW - Music theory KW - Analysis, interpretation, appreciation KW - Education KW - Philosophy UR - https://www.unicat.be/uniCat?func=search&query=sysid:101698602 AB - This book provides a multifaceted view on the relation between the old and the new in music, between tradition and innovation. This is a much-debated issue, generating various ideas and theories, which rarely come to unanimous conclusions. Therefore, the book offers diverse perspectives on topics such as national identities, narrative strategies, the question of musical performance and musical meaning. Alongside themes of general interest, such as classical repertoire, the music of well-established composers and musical topics, the chapters of the book also touch on specific, but equally interesting subjects, like Brazilian traditions, Serbian and Romanian composers and the lullaby. While the book is mostly addressed to researchers, it can also be recommended to students in musicology, ethnomusicology, musical performance, and musical semiotics. ER -