TY - BOOK ID - 101292821 TI - Music and the queer body in English literature at the fin de siècle PY - 2022 SN - 1108989543 1108839207 1108996337 1108996566 PB - Cambridge : Cambridge University Press, DB - UniCat KW - English literature KW - Music in literature. KW - Homosexuality in literature. KW - Human body in literature. KW - Homosexuality and literature. KW - Homosexuality and music. KW - Music KW - Queer theory. KW - History and criticism. KW - Physiological effect. KW - Gender identity KW - Music, Influence of KW - Music and homosexuality KW - Literature KW - Literature and homosexuality KW - Body, Human, in literature KW - Human figure in literature KW - Music and literature. KW - Literature and music KW - Victorian literature KW - music KW - queer studies UR - https://www.unicat.be/uniCat?func=search&query=sysid:101292821 AB - Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core. ER -