TY - BOOK ID - 10005772 TI - Strindberg and the quest for sacred theatre PY - 2010 SN - 9042028475 9789042028470 9789042028487 9042028483 PB - Amsterdam ; New York : Rodopi, DB - UniCat KW - Religious drama KW - Languages & Literatures KW - Germanic Literature KW - History and criticism KW - History and criticism. KW - Strindberg, August, KW - Strindberg, August, 1849-1912 KW - analys och tolkning KW - analys och tolkning. KW - Criticism and interpretation. KW - Religious drama. KW - Drama KW - Religious literature KW - Sṭrindberg, A., KW - Strindberg, Johan August, KW - Sṭrindberg, O., KW - Strindberg, Ogust, KW - Strindbergs, Augusts, KW - Sutorintoberuku, KW - סטאינדבערג, אויגוסט, KW - סטרינבערג, אויגוסט KW - סטרינבערג, אויגוסט, KW - סטרינבערג, אױגוסט KW - סטרינגבערג, אווגוסט, KW - סטרינדבערג, אווגוסט, KW - סטרינדבערג, אויגוסט KW - סטרינדבערג, אויגוסט, KW - סטרינדבערג, אוידוסט KW - סטרינדבערג, אױגוסט, KW - סטרינדבערג, א. KW - סטרינדברג, אבגוסט, KW - סטרינדברג, אוגוסט KW - סטרינדברג, אוגוסט, KW - סטרינדברג, א. KW - סטרנדנערג, אויגוסט KW - Стриндберг, Огуст, KW - Strindberg, August KW - Strindberg, Johan August KW - Sṭrindberg, A. KW - Sutorintoberuku KW - Strindbergs, Augusts KW - Sṭrindberg, O. KW - Strindberg, Ogust KW - Sitrîndbêrg, Awgust, KW - Strîndbêrg, Awgust, UR - https://www.unicat.be/uniCat?func=search&query=sysid:10005772 AB - Strindberg and the Quest for Sacred Theatre brings a fresh perspective to the study of Sweden’s great playwright. August Strindberg (1849-1912) anticipated most of the major developments in European theatre over the last century. As such he is well-placed to provide perspectives on the current burgeoning interest in sacred theatre. The religious crises of the 19th Century provoked in Strindberg both sharp scepticism about claims to religious authority and a visionary search for truth. Against the backdrop of a major change in European culture this book traces the emergence in some of Strindberg’s late plays of a proto-sacred-theatre. It argues that Strindberg faced the alternatives of a contentless transcendent abyss, threatening the extinction of his ego, or a retreat into conservative theism, reducing him to slavish submission to the commandments and rule of an external father-God. Weaving together theatrical, aesthetic, and theological voices, this book investigates the relationship of the sacred to subjectivity and its implications for Strindberg’s dramaturgy. In doing so it always keeps in view the sense both of loss and opportunity engendered by a turning point in the western experience of the sacred. ER -