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"Ephraim Radner, Hosean Wilderness, and the Church in the Post-Christendom West offers the first monograph-length treatment of the compelling and perplexing contemporary Anglican theologian Ephraim Radner. While unravelling his distinctive approach to biblical hermeneutics and ecclesiology, it queries the state of today's secularized church through a theological interpretation of an equally enigmatic writer: the prophet Hosea. It concludes that an eschatological posture of waiting and a heuristic of poesis should dictate the church's shape for an era in which God is stripping the church of its foregoing institutional forms"--

Radner, Ephraim, --- Bible. --- Criticism, interpretation, etc.

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"Ephraim Moses Lilien (1874-1925) was one of the most important Jewish artists of modern times. As a successful illustrator, photographer, painter and printer, he became the first major Zionist artist. Surprisingly there has been little in-depth scholarly research and analysis of Lilien's work available in English, making this book an important contribution to historical and art-historical scholarship. Concentrating mainly on his illustrations for journals and books, Lynne Swarts acknowledges the importance of Lilien's groundbreaking male iconography in Zionist art, but is the first to examine Lilien's complex and nuanced depiction of women, which comprised a major dimension of his work. Lilien's female images offer a compelling glimpse of an alternate, independent and often sexually liberated modern Jewish woman, a portrayal that often eluded the Zionist imagination. Using an interdisciplinary approach to integrate intellectual and cultural history with issues of gender, Jewish history and visual culture, Swarts also explores the important fin de siècle tensions between European and Oriental expressions of Jewish femininity. The work demonstrates that Lilien was not a minor figure in the European art scene, but a major figure whose work needs re-reading in light of his cosmopolitan and national artistic genius"--

Women in art. --- Femininity in art. --- Orientalism in art. --- Art and society --- History --- Lilien, Ephraim Mose, --- Criticism and interpretation. --- Women in art --- Femininity in art --- Orientalism in art --- Lilien, Ephraim Mose

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Das vorliegende Buch schliesst zwei beruhmte Dramentexte der deutschen Aufklarung an Probleme der heutigen Weltgesellschaft an, die Gemeinwohlbelang beanspruchen durfen. Lessings 'Emilia Galotti' wird als Sicherung menschlichen Lebens und Zusammenlebens durch die glaubensgehorsame Hingabe der Titelheldin an die Uberwindung vernunftwidriger biblischer Lebenslehren interpretiert, Goethes 'Iphigenie auf Tauris' als Darstellung der vertraglichen Grundlegung eines globalen menschenrechtlichen Fremdenrechts erlautert. An diese Interpretationen anknupfend legt das dritte Kapitel des Buches die fachtheoretische Empfehlung vor, das weltweite Nebeneinander der standortbewusst aufgestellten Germanistiken unter Wahrung ihrer Eigenstandigkeiten in ein plurales Miteinander im Selbstverstandnis einer multilateralen Regionalistik der deutschsprachigen Welt zu verwandeln.

Goethe, Johann Wolfgang von, --- Thematology --- Comparative literature --- Goethe, von, Johann Wolfgang --- Lessing, Gotthold Ephraim --- Goethe, Johann Wolfgang von, - 1749-1832. - Iphigenie auf Tauris

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Schiller --- Friedrich --- 1759-1805 --- Philosophy --- Goethe --- Johann Wolfgang von --- 1749-1832 --- Herder --- Johann Gottfried --- 1744-1803 --- Lessing --- Gotthold Ephraim --- 1729-1781

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Ephrem, one of the earliest Syriac Christian writers, lived on the eastern outskirts of the Roman Empire during the fourth century. Although he wrote polemical works against Jews and pagans, and identified with post-Nicene Christianity, his writings are also replete with parallels with Jewish traditions and he is the leading figure in an ongoing debate about the Jewish character of Syriac Christianity. This book focuses on early ideas about betrothal, marriage, and sexual relations, including their theological and legal implications, and positions Ephrem at a precise intersection between his Semitic origin and his Christian commitment. Alongside his adoption of customs and legal stances drawn from his Greco-Roman and Christian surroundings, Ephrem sometimes reveals unique legal concepts which are closer to early Palestinian, sectarian positions than to the Roman or Jewish worlds. The book therefore explains naturalistic legal thought in Christian literature and sheds light on the rise of Syriac Christianity.

Marriage (Canon law) --- Sacraments (Canon law) --- History --- Catholic Church --- Canon law --- Jewish influences. --- Ephraem, --- Public law (Canon law) --- Law --- Ecclesiastical law --- Rescripts, Papal --- Afrām, --- Afrem, --- Aphrem, --- Aprem, Mar, --- Effrem, --- Efrem, --- Ephraem Syrus, --- Ephraim, --- Ephrem, --- Éphrem, --- Epʻrem, --- Epʻrem Khori, --- Epʻrem Khuri, --- Ifram, --- Ifrām, --- Афрем, --- Ефрем, --- افرام،