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This book examines dystopian fiction's recent paradigm shift towards urban dystopias. It links the dystopian tradition with the literary history of the novel, spatio-philosophical concepts against the backdrop of the spatial turn, and systems-theory. Five dystopian novels are discussed in great detail: China Miéville's Perdido Street Station (2000) and The City & The City (2009), City of Bohane (2011) by Kevin Barry, John Berger's Lilac and Flag (1992), and Divided Kingdom (2005) by Rupert Thomson. The book includes chapters on the literary history of the dystopian tradition, the referential interplay of maps and literature, urban spaces in literature, borders and transgressions, and on systems-theory as a tool for charting dystopian fiction. The result is a detailed overview of how dystopian fiction constantly adapts to - and reflects on - the actual world.
Anti-Utopie --- Englisch --- Stadt --- Geschichte 1992-2011 --- Fantasy fiction, English --- English fiction --- Dystopias in literature. --- History and criticism. --- City and town life in literature. --- Geography in literature. --- English literature --- Science fiction. --- Dystopias. --- Anti-utopias --- Utopias --- Science --- Science stories --- Fiction --- Future, The, in literature --- Dystopia. --- Dystopias in literature --- History and criticism --- Fantasy fiction, English History and criticism --- Science Fiction. --- spatial turn. --- urban.
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"A critical study of contemporary American Indian narratives set in urban spaces that reveals how these texts respond to diaspora, dislocation, citizenship, and reclamation"-- "In Indigenous Cities Laura M. Furlan demonstrates that stories of the urban experience are essential to an understanding of modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives--such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power--along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the postrelocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and theirtribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban."--
LITERARY CRITICISM / Native American. --- Indians of North America --- City and town life in literature. --- Cities and towns in literature. --- Indians in literature. --- American fiction --- Indians of Central America in literature --- Indians of Mexico in literature --- Indians of North America in literature --- Indians of South America in literature --- Indians of the West Indies in literature --- Ethnic identity. --- Indian authors --- History and criticism. --- Race identity
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Only one out of ten early modern Europeans lived in cities. Yet cities were crucial nodes, joining together producers and consumers, rulers and ruled, and believers in diverse faiths and futures. They also generated an enormous amount of writing, much of which focused on civic life itself. But despite its obvious importance, historians have paid surprisingly little attention to urban discourse; its forms, themes, emphases and silences all invite further study. This book explores three dimensions of early modern citizens’ writing about their cities: the diverse social backgrounds of the men and women who contributed to urban discourse; their notions of what made for a beautiful city; and their use of dialogue as a literary vehicle particularly apt for expressing city life and culture. Amelang concludes that early modern urban discourse increasingly moves from oral discussion to take the form of writing. And while the dominant tone of those who wrote about cities continued to be one of celebration and glorification, over time a more detached and less judgmental mode developed. More and more they came to see their fundamental task as presenting a description that was objective.
Cities and towns in literature. --- Cities and towns --- City and town life in literature. --- City and town life --- History --- Sources --- Sources. --- Europe. --- 711.4 <09> --- 711.4 <09> Gemeentelijke planologie. Stadsplanning. Stedenbouw--Geschiedenis van ... --- Gemeentelijke planologie. Stadsplanning. Stedenbouw--Geschiedenis van ... --- Gemeentelijke planologie. Stadsplanning. Stedenbouw--Geschiedenis van .. --- Gemeentelijke planologie. Stadsplanning. Stedenbouw--Geschiedenis van . --- Global cities --- Municipalities --- Towns --- Urban areas --- Urban systems --- Human settlements --- Sociology, Urban --- City life --- Town life --- Urban life --- Gemeentelijke planologie. Stadsplanning. Stedenbouw--Geschiedenis van --- Architecture, Early modern Europe, History, Italy, Spain, Travel writing, Urban history, Urban studies.
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