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book (4)


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English (4)


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2017 (4)

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Text and image in the city : manuscript, print and visual culture in urban space
Authors: ---
ISBN: 1443879487 9781443879484 9781443843881 1443843881 Year: 2017 Publisher: Newcastle-upon-Tyne, England : Cambridge Scholars Publishing,

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Book
Hidden topographies : traces of urban reality in dystopian fiction
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ISBN: 9783110533910 311053391X 3110535858 3110533960 9783110535853 9783110533965 9783110635287 3110635283 Year: 2017 Publisher: Berlin, [Germany] ; Boston, [Massachusetts] : De Gruyter,

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This book examines dystopian fiction's recent paradigm shift towards urban dystopias. It links the dystopian tradition with the literary history of the novel, spatio-philosophical concepts against the backdrop of the spatial turn, and systems-theory. Five dystopian novels are discussed in great detail: China Miéville's Perdido Street Station (2000) and The City & The City (2009), City of Bohane (2011) by Kevin Barry, John Berger's Lilac and Flag (1992), and Divided Kingdom (2005) by Rupert Thomson. The book includes chapters on the literary history of the dystopian tradition, the referential interplay of maps and literature, urban spaces in literature, borders and transgressions, and on systems-theory as a tool for charting dystopian fiction. The result is a detailed overview of how dystopian fiction constantly adapts to - and reflects on - the actual world.


Book
Indigenous cities : urban Indian fiction and the histories of relocation
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ISBN: 1496202724 1496202740 9781496202727 9781496202734 1496202732 9781496202741 9780803269330 0803269331 9780803269330 1496228200 Year: 2017 Publisher: Lincoln, [Nebraska] ; London, [England] : University of Nebraska Press,

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"A critical study of contemporary American Indian narratives set in urban spaces that reveals how these texts respond to diaspora, dislocation, citizenship, and reclamation"-- "In Indigenous Cities Laura M. Furlan demonstrates that stories of the urban experience are essential to an understanding of modern Indigeneity. She situates Native identity among theories of diaspora, cosmopolitanism, and transnationalism by examining urban narratives--such as those written by Sherman Alexie, Janet Campbell Hale, Louise Erdrich, and Susan Power--along with the work of filmmakers and artists. In these stories, Native peoples navigate new surroundings, find and reformulate community, and maintain and redefine Indian identity in the postrelocation era. These narratives illuminate the changing relationship between urban Indigenous peoples and theirtribal nations and territories and the ways in which new cosmopolitan bonds both reshape and are interpreted by tribal identities. Though the majority of American Indigenous populations do not reside on reservations, these spaces regularly define discussions and literature about Native citizenship and identity. Meanwhile, conversations about the shift to urban settings often focus on elements of dispossession, subjectivity, and assimilation. Furlan takes a critical look at Indigenous fiction from the last three decades to present a new way of looking at urban experiences that explains mobility and relocation as a form of resistance. In these stories Indian bodies are not bound by state-imposed borders or confined to Indian Country as it is traditionally conceived. Furlan demonstrates that cities have always been Indian land and Indigenous peoples have always been cosmopolitan and urban."--


Book
Writing Cities : Exploring Early Modern Urban Discourse
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ISBN: 9789637326530 9637326537 9789637326547 9637326545 Year: 2017 Publisher: New York : Central European University Press,

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Only one out of ten early modern Europeans lived in cities. Yet cities were crucial nodes, joining together producers and consumers, rulers and ruled, and believers in diverse faiths and futures. They also generated an enormous amount of writing, much of which focused on civic life itself. But despite its obvious importance, historians have paid surprisingly little attention to urban discourse; its forms, themes, emphases and silences all invite further study. This book explores three dimensions of early modern citizens’ writing about their cities: the diverse social backgrounds of the men and women who contributed to urban discourse; their notions of what made for a beautiful city; and their use of dialogue as a literary vehicle particularly apt for expressing city life and culture. Amelang concludes that early modern urban discourse increasingly moves from oral discussion to take the form of writing. And while the dominant tone of those who wrote about cities continued to be one of celebration and glorification, over time a more detached and less judgmental mode developed. More and more they came to see their fundamental task as presenting a description that was objective.

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