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From moving images on the Internet to giant IMAX displays: The number of screens in the public and private sphere has increased significantly during the last two decades. While this is often taken to indicate the “death of cinema,” this volume attempts to reconsider the limits and specifics of film and the traditional movie theater. It analyzes notions of spectatorship, the relationship between cinema and the “uncinematic,” the contested place of installation art in the history of experimental cinema, and the characteristics of the high definition image. Further contributions discuss the ways in which cinema interacts with other arts and media such as theater and television.
Motion pictures --- History --- Philosophy. --- 798.3 --- nieuwe media --- 791.41 --- bioscopen --- computers --- cultuurfilosofie --- experimentele film --- film --- high definition --- IMAX --- installaties --- internet --- Mann Michael --- Ophuls Max --- schermen --- screens --- tabletcomputers --- televisie --- theater --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Philosophy --- film, esthetiek en kritiek --- History and criticism
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"Maerten van Heemskerck (1498-1574) was one of the most active and inventive Dutch painters of the sixteenth century. Over the course of his long career, he created lively mythological scenes, dramatic altarpieces for guilds, and smaller works for wealthy individuals. Several of his religious paintings were destroyed by Protestant iconoclasts in 1566. One of his extant masterpieces, the Ecce Homo triptych of 1544, once graced the family chapel of Jan van Drenckwaerdt, a wealthy merchant and sheriff, in Dordrecht's Augustinian church. This unusually complete triptych, with its original decorated frame, was brought from the National Museum in Warsaw, Poland, for treatment and study at the J. Paul Getty Museum as part of the Conservation Partnership program. Richly illustrated, the book documents the dramatic process of revealing the brilliance of a sixteenth-century masterpiece, and it sheds light on the artist's technique, iconography, and the role of the altarpiece in the turbulent history of the era. Drama and Devotion accompanies an exhibition at the J. Paul Getty Museum that opens June 5, 2012"--
altarpieces --- Conservation. Restoration --- painting techniques --- ecce homo --- Heemskerck, van, Maarten --- Altarpieces, Renaissance --- Panel painting, Renaissance --- Panel painting, Dutch --- Altarpieces --- Panel painting --- Painting --- Predellas --- Reredos --- Retables --- Screens (Church decoration) --- Dutch panel painting --- Renaissance panel painting --- Renaissance altarpieces --- Conservation and restoration --- Heemskerk, Martin van, --- Retables de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Peinture sur panneau de la Renaissance -- Pays-Bas -- Dordrecht (Pays-Bas) -- Catalogues d'exposition --- Retables -- Conservation et restauration -- États-Unis -- Californie (États-Unis) --- Peinture sur panneau -- Conservation et restauration -- États-Unis -- Californie (États-Unis)
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