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Gothic revival (Literature) --- English fiction --- American fiction --- Horror tales --- American fiction. --- English fiction. --- Gothic revival (Literature) --- Horror tales. --- History and criticism --- History and criticism
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Gothic revival (Literature) --- English fiction --- American fiction --- Horror tales --- American fiction. --- English fiction. --- Gothic revival (Literature) --- Horror tales. --- History and criticism --- History and criticism
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Gothic revival (Literature) --- English fiction --- American fiction --- Horror tales --- History and criticism
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London has taken a central role in urban Gothic, from key canonic texts like Strange Case of Dr Jekyll and Mr Hyde , The Picture of Dorian Gray and Dracula through modern Gothic texts to the 'tourist gothic' of rebranded gastropubs and ghost tours. As a specific category, London Gothic is becoming as important for understanding ourselves today as it has been for thinking about the cultural productions of the late-nineteenth century. This is the first book to focus on Gothic representations of London, offering a range of essays from established and new scholars reading London Gothic as it is ma
English literature --- Gothic revival (Literature) --- Literary movements --- Revival movements (Art) --- Romanticism --- History and criticism. --- London (England) --- In literature. --- Intellectual life.
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This study examines Stoker's contribution to the modern notion of Gothic and demonstrates that Gothic excess is Stoker's way of focusing on social, economic, and political problems. What makes this study unique is that it privileges Stoker's development of modern Gothic in Dracula but also addresses Stoker's works that are decidedly not Gothic. The creator of Dracula wrote for the Irish Civil Service as well as created The Man and Lady Athlyne, two romances. Understanding the Stoker, who was fascinated with technology and racial and gender development as well as Gothic mystery, helps readers u
Gothic revival (Literature) --- Horror tales --- Literary movements --- Revival movements (Art) --- Romanticism --- History and criticism. --- Authorship. --- Stoker, Bram, --- Stoker, Abraham, --- סטוקר, בראם, --- 斯托克布拉姆, --- Horror tales, English --- Criticism and interpretation.
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Challenging the widely held assumption that gothic literature is mainly about fear, Agnieszka Soltysik Monnet argues that the American Gothic, and gothic literature in general, is also about judgment. Analyzing canonical works by Poe, Hawthorne, Melville, Gilman, and James, Monnet persuasively argues that these authors' concerns about slavery, gender, and sexuality tacitly inform works that deal explicitly with less controversial subjects.
Judgment in literature. --- American fiction --- Sex in literature. --- Slavery in literature. --- Judgment (Ethics) --- Gothic revival (Literature) --- Moral judgment --- Ethics --- Slavery and slaves in literature --- Slaves in literature --- History and criticism. --- History --- Enslaved persons in literature
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Gothic fiction (Literary genre) --- Gothic revival (Literature) --- 82-392 --- Literary movements --- Revival movements (Art) --- Romanticism --- Gothic horror tales (Literary genre) --- Gothic novels (Literary genre) --- Gothic romances (Literary genre) --- Gothic tales (Literary genre) --- Romances, Gothic (Literary genre) --- Detective and mystery stories --- Horror tales --- Suspense fiction --- 82-392 Literatuur. Algemene literatuurwetenschap--?-392 --- Literatuur. Algemene literatuurwetenschap--?-392 --- History and criticism --- Influence --- History and criticism. --- Influence.
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For the last three hundred years, fictions of the vampire have fed off anxieties about cultural continuity. Though commonly represented as a parasitic aggressor from without, the vampire is in fact a native of Europe, and its 'metamorphoses,' to quote Baudelaire, a distorted image of social transformation. Because the vampire grows strong whenever and wherever traditions weaken, its representations have multiplied with every political, economic, and technological revolution from the eighteenth century on. Today, in the age of globalization, vampire fictions are more virulent than ever, and the monster enjoys hunting grounds as vast as the international market. 'Metamorphoses of the Vampire' explains why representations of vampirism began in the eighteenth century, flourished in the nineteenth, and came to eclipse nearly all other forms of monstrosity in the early twentieth century. Many of the works by French and German authors discussed here have never been presented to students and scholars in the English-speaking world. While there are many excellent studies that examine Victorian vampires, the undead in cinema, contemporary vampire fictions, and the vampire in folklore, until now no work has attempted to account for the unifying logic that underlies the vampire's many and often apparently contradictory forms. Erik Butler holds a PhD from Yale University and has taught at Emory University and Swarthmore College. His publications include 'The Bellum Gramaticale and the Rise of European Literature' (2010) and a translation with commentary of 'Regrowth' ('Vidervuks') by the Soviet Jewish author Der Nister (2011).
Vampires in literature. --- Vampires --- Horror tales, European --- European fiction --- Vampire films --- Social change in literature. --- Literature and society --- History. --- History and criticism. --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- European horror tales --- Lesbian vampires --- Dead --- Monsters --- Social aspects --- Films d'horreur --- Films de vampires --- Littérature et société --- Littérature d'épouvante --- Dans la littérature --- Au cinéma --- Vampires. --- Horror tales, European. --- Gothic revival (Literature) --- Films d'horreur. --- Films de vampires. --- Littérature et société. --- History --- Dans la littérature. --- Au cinéma.
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