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2008 (3)

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Book
Virtuel ? : à l'ère du numérique, le cinéma est toujours le plus réaliste des arts
Authors: ---
ISSN: 19539207 ISBN: 9782866425357 2866425359 Year: 2008 Publisher: Paris : Cahiers du cinéma,

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How the Soviet man was unmade : cultural fantasy and male subjectivity under Stalin
Author:
ISBN: 082297343X 0822943212 1322096368 0822959933 9780822973430 9780822943211 9780822959939 Year: 2008 Publisher: Pittsburgh, Pennsylvania : University of Pittsburgh Press,

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Abstract

In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of.


Book
Italian Neorealist Cinema
Author:
ISBN: 1442685670 9781442685673 9781442692435 144269243X 9780802097613 0802097618 9780802095206 0802095208 Year: 2008 Publisher: Toronto

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The end of the Second World War saw the emergence of neorealist film in Italy. In Italian Neorealist Cinema, Christopher Wagstaff analyses three neorealist films that have had significant influence on filmmakers around the world. Wagstaff treats these films as assemblies of sounds and images rather than as representations of historical reality. If Roberto Rossellini's Roma città aperta and Paisà, and Vittorio De Sica's Ladri di biciclette are still, half a century after they were made, among the most highly valued artefacts in the history of cinema, Wagstaff suggests that this could be due to the aesthetic and rhetorical qualities of their assembled narratives, performances, locations, lighting, sound, mise en scene, and montage. This volume begins by situating neorealist cinema in its historical, industrial, commercial and cultural context, and makes available for the first time a large amount of data on post-war Italian cinema. Wagstaff offers a theoretical discussion of what it means to treat realist films as aesthetic artefacts before moving on to the core of the book, which consists of three studies of the films under discussion. Italian Neorealist Cinema not only offers readers in Film Studies and Italian Studies a radically new perspective on neorealist cinema and the Italian art cinema that followed it, but theorises and applies a method of close analysis of film texts for those interested in aesthetics and rhetoric, as well as cinema in general.

Keywords

Realism in motion pictures. --- Motion pictures --- History. --- Aesthetics. --- De Sica, Vittorio, --- Rossellini, Roberto, --- Criticism and interpretation. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Realism in moving-pictures --- History and criticism --- De Sika, Vittorio, --- Sica, Vittorio de, --- Ṭi. Cikā, Vikṭōriyā, --- De Sica, V. --- Sica, V. de --- Audio-visual materials --- Mass media --- Performing arts --- De Sika, Vittorio --- Rossellini, Roberto --- Italien. --- Italien --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italy --- Königreich Italien --- Repubblica Italiana --- Olaszorszaǵ --- Olasz Koz̈taŕsasaǵ --- Italienische Republik --- République Italienne --- Yidali-gongheguo --- Italiener --- Königreich Sardinien --- Republik von Salò --- 17.03.1861 --- -Motion pictures

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