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Fiction --- French fiction --- Motion pictures and literature. --- Theater and society in literature. --- Technique. --- History and criticism. --- Theater and society in literature --- Motion pictures and literature

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Is theater really dead? Does the theater, as its champions insist, really provide a more intimate experience than film? If so, how have changes in cinematic techniques and technologies altered the relationship between stage and film? What are the inherent limitations of representing three-dimensional spaces in a two-dimensional one, and vice versa? American Drama in the Age of Film examines the strengths and weaknesses of both the dramatic and cinematic arts to confront the standard arguments in the film-versus-theater debate. Using widely known adaptation

Theater and society --- Motion pictures and literature --- American drama --- Theater --- American literature --- History --- History and criticism.

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Film adaptations --- Motion pictures and literature --- Film adaptations. --- Motion pictures and literature. --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Motion picture adaptations --- Motion pictures --- History and criticism --- Adaptations --- Film

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Literary semiotics --- Film --- Film adaptations --- Motion pictures and literature. --- Adaptations cinématographiques --- Cinéma et littérature --- History and criticism. --- Histoire et critique --- film --- filmtheorie --- filmgeschiedenis --- film en literatuur --- adaptaties --- twintigste eeuw --- 791.41 --- Adaptations cinématographiques --- Cinéma et littérature --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- History and criticism

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On oppose volontiers fiction et cinéma du réel, comme si le 7ème art ne pouvait que choisir entre enregistrer sur le vif ou créer de l'imaginaire. Pourtant, il existe une troisième voie, celle de la reprise, de l'adaptation, où le cinéma s'attaque à RE-présenter ce qui l'a été déjà par les historiens, les écrivains ou les réalisateurs spécialisés dans des genres de styles très accusés. Dans ce vaste domaine, les meilleurs films traitent des sujets qui semblaient avoir trouvé leur forme adéquate auparavant et ailleurs. Ainsi puisent-ils leur inspiration dans des produits déjà fort élaborés et leur mise en scène doit se révéler encore plus inventive. Cet ouvrage se propose donc de mettre en évidence l'opération esthétique nécessaire à transformer des matériaux variés en œuvres d'art cinématographiques.

Film adaptations --- Motion pictures and history --- Motion pictures and literature --- Adaptations cinématographiques --- Cinéma et histoire --- Cinéma et littérature --- History and criticism --- Histoire et critique --- Historical films --- Film genres --- Adaptations cinématographiques --- Cinéma et histoire --- Cinéma et littérature --- Historical films - History and criticism --- Film adaptations - History and criticism