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In the late nineteenth century, the development of a relatively new invention& the moving picture& dramatically changed visual culture. Films not only captured the public imagination, they altered the way the world was represented to and received by the eager viewing audience. This groundbreaking book explores the history of visual media in Britain during this key period, when the nineteenth century was closing and the twentieth just beginning. Lynda Nead shows in this original study how the period witnessed a transformation from stasis to movement across the entire range of visual media, including painting, photography, and film as well as stage magic, lantern pictures, early film posters, and astronomy. She looks at the effects of this transformation from a wide variety of perspectives, demonstrating how the idea of motion haunted all visual media and altered both viewers' expectations of the image and their modes of perception. Nead portrays a fascinating cultural landscape in the midst of change, filling in the details with a rich selection of illustrations.
film --- fotografie --- schilderkunst --- precinema --- animatie --- negentiende eeuw --- twintigste eeuw --- 7.035/036 --- 77.035 --- 791.03 --- 7 <09> --- Kunstgeschiedenis. Kunsthistorie --- Arts, Modern --- Motion in art. --- Multimedia (Art) --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Multimedia (Art). --- Motion in art --- Multi media (Art) --- Arts
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History --- Book history --- Art --- Festschriften --- König, Eberhard --- Painting [Medieval ] --- Painting [Renaissance ] --- Peinture de la Renaissance --- Peinture médiévale --- Schilderkunst [Middeleeuwse ] --- Schilderkunst [Renaissance-] --- 7 <082> --- 7 <09> --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Feestbundels. Festschriften --- Kunstgeschiedenis. Kunsthistorie --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- 7 <082> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Feestbundels. Festschriften --- Painting, Medieval --- Painting, Renaissance --- Paintings, Renaissance --- Renaissance painting --- Paintings, Medieval
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History as a science --- Art --- Art and society. --- Art et société --- Historiography. --- Historiographie --- 091.31 <493> --- 7 <09> --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Kunstgeschiedenis. Kunsthistorie --- 091.31 <493> Verluchte handschriften--België --- Verluchte handschriften--België --- Art et société --- Art and society --- Art and sociology --- Society and art --- Sociology and art --- Historiography --- Social aspects
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wetenschappen --- kunst --- architectuur --- fotografie --- Alma-Tadema, Lawrence (Sir) --- Tissot, James --- Klinger, Max --- Whistler, James Abbott McNeill --- Ruskin, John --- 19de eeuw --- 7 <09> --- Kunstgeschiedenis. Kunsthistorie --- 7 <09> Kunstgeschiedenis. Kunsthistorie --- Aesthetics, Modern --- Art, Modern --- Eclecticism in art --- Modern art --- Modern aesthetics --- Nieuwe Ploeg (Group of artists) --- wetenschappen. --- kunst. --- architectuur. --- Alma-Tadema, Lawrence (Sir). --- Tissot, James. --- Klinger, Max. --- Whistler, James Abbott McNeill. --- Ruskin, John. --- 19de eeuw.
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Economic schools --- Monetary policy --- History --- 336.74 --- 336.7 <09> --- AA / International- internationaal --- 333.403 --- -332.4 --- Monetary management --- Economic policy --- Currency boards --- Money supply --- Geld. Geldwezen. Monetaire sector. --- Geschiedenis van het bankwezen --- Monetaire theorieën. Kwantitatieve theorie. Theorie van de incasso's. Optiek van de uitgaven en inkomens. --- 336.7 <09> Geschiedenis van het bankwezen --- 336.74 Geld. Geldwezen. Monetaire sector. --- 332.4 --- Monetaire theorieën. Kwantitatieve theorie. Theorie van de incasso's. Optiek van de uitgaven en inkomens --- Geld. Geldwezen. Monetaire sector --- Monetary policy - History
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