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Cet ouvrage examine un des multiples modèles du théâtre québecois actuel, le théâtre de l'image, en vue de mettre au jour la face cachée de son organisation et de ses rapports au monde et à la connaissance. Pour ce faire, les auteures s'appuient sur certaines des créations originales de celui qui a la réputation d'être un véritable "faiseur d'images" : Robert Lepage. Mais au-delà de cet exemple, les conclusions auxquelles elles arrivent peuvent être étendues à plusieurs oeuvres contemporaines, tant scéniques que dramatiques, représentatives d'un nouveau paradigme de la pensée : "la pensée complexe".

Theater --- Theaters --- French-Canadian drama --- Théâtre --- Théâtre québécois --- Production and direction --- Stage-setting and scenery --- History and criticism --- Production et mise en scène --- Décors et mise en scène --- Histoire et critique --- Lepage, Robert, --- Lepage, Robert --- Criticism and interpretation --- Théâtre --- Théâtre québécois --- Production et mise en scène --- Décors et mise en scène --- Québec --- Lepage, Robert - Criticism and interpretation

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Theater --- Drama --- Théâtre --- Théâtre (Genre littéraire) --- History --- History and criticism --- Production and direction --- Histoire --- Histoire et critique --- Production et mise en scène --- Theatre --- Theatre (Genre litteraire) --- Théatre --- Production et mise en scene --- Théâtre --- Théâtre (Genre littéraire) --- Production et mise en scène --- Drama. --- Theatre - Histoire --- Theatre (Genre litteraire) - Histoire et critique --- Theatre - Production et mise en scene

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French drama --- Drama --- Theaters --- Scene painting --- Théâtre français --- Théâtre (Genre littéraire) --- Théâtre --- Scénographie --- History and criticism. --- Technique. --- Stage-setting and scenery --- Histoire et critique --- Technique --- Décors et mise en scène --- Théâtre français --- Théâtre (Genre littéraire) --- Théâtre --- Scénographie --- Décors et mise en scène --- Auteurs dramatiques --- France --- 1990-.... --- Congrès --- Aspect social

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In this fascinating and accessible book, David Wiles introduces ancient Greek theatre to students and enthusiasts interested in knowing how the plays were performed. Theatre was a ceremony bound up with fundamental activities in ancient Athenian life and Wiles explores those elements which created the theatre of the time. Actors rather than writers are the book's main concern and Wiles examines how the actor used the resources of story-telling, dance, mask, song and visual action to create a large-scale event that would shape the life of the citizen community. The book assumes no prior knowledge of the ancient world, and is written to answer the questions of those who want to know how the plays were performed, what they meant in their original social context, what they might mean in a modern performance and what can be learned from and achieved by performances of Greek plays today.

Classical Greek literature --- Theatrical science --- Drama --- Greece --- 875-2 --- Griekse literatuur: toneel; drama --- Theater -- Greece -- History -- To 500. --- Theater -- Production and direction -- Greece -- History -- To 1500. --- 875-2 Griekse literatuur: toneel; drama --- Greek drama --- Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History and criticism --- Production and direction --- History --- History and criticism. --- Théâtre --- Théâtre grec --- History. --- Production et mise en scène --- Histoire --- Histoire et critique --- Théâtre --- Tragédie grecque --- Histoire et critique.