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La perception locale des différentes formes d'un provincialisme méprisable, le refus d'être à l'écart d'une activité perçue plus vivante ailleurs, la disqualification par la modernité des limites héritées des États-nations, la conscience d'un territoire culturel plus vaste, très tôt identifié à l'Europe : dès le début du siècle, une partie importante de l'activité artistique manifeste une intense revendication de liberté et de mobilité. Développés à l'écart des institutions académiques, les humanismes nouveaux, ceux de la rupture, le dadaïsme, le surréalisme, ont vocation à la circulation, à la diffusion, à l'expansion au-delà des limites des territoires de la société politique. La constitution de groupes d'artistes, formés sur des bases à la fois territoriales et culturelles, relayés ailleurs par des appuis locaux, exprime l'étonnante disponibilité d'une génération à chercher sa voie en dehors d'un cadre local, régional, national. La relation est évidente avec la dimension internationale de la pensée politique du mouvement ouvrier, avec l'idéologie sans frontières du marxisme et du socialisme : pour les artistes aussi, la croyance dans le nouveau passe par le rejet des limites anciennes.

Art, European --- Art européen --- Congresses --- Congrès --- Art [Modern ] --- 20th century --- Vie artistique --- Art --- Avant-garde (esthétique) --- Relations culturelles --- Actes de congrès. --- Avant-garde (esthétique) --- Art, European - 20th century - Congresses. --- diffusion artistique --- art d'avant-garde --- surréalisme

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Capitales littéraires et artistiques --- Vie artistique --- Histoire --- Europe --- Vie intellectuelle --- Capitals (Cities) --- Capitales --- European influences. --- Influence européenne --- European influences --- Influence européenne --- History of civilization --- History of Europe --- anno 1700-1799 --- anno 1800-1999 --- Villes --- Biens culturels --- Civilization, Modern --- Intellectual life --- Civilisation --- Civilisation moderne et contemporaine --- Intellectual life. --- Histoire. --- Capitales - Europe - Histoire --- Villes - Europe - Histoire --- Biens culturels - Europe - Histoire --- Capitals (Cities) - Europe - Intellectual life --- Civilization, Modern - European influences --- Europe - Civilisation --- Europe - Vie intellectuelle --- Capitales littéraires et artistiques

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The Democratic Republic of the Congo is world famous today for its vibrant art scene. Its multifaceted, creative, and current art production is unlike any other on the african continent. But the country already brought forth striking masks, sculptures, and pieces of design in times past. Published to coincide with the exhibition at Museum Rietberg, "Congo as fiction" presents objects, photographs, and documents - some never published before - from the archive of german art ethnologist Hans Himmelheber, who traveled the Congo in 1938/39. The artworks and images bear witness to the extraordinary creative force of the period. "Congo as fiction" avoids a biased eurocentric view by having contemporary congolese artists engage directly with Hans Himmelheber's archive. Their critical contributions address the effects of colonialization, global trade, and the art market on the country, and combine the past and present of the congolese art world in an entirely new way.

Art --- art [fine art] --- ethnography --- colonization --- art market --- Congolese [Democratic Republic of Congo culture] --- globalization --- Baloji, Sammy --- Magema, Michèle --- Mpané, Aimé --- Kuyangiko, Hilaire Balu --- Shula, Monsengo --- Tshindele Kapinga, Pathy --- Himmelheber, Hans --- Aanza, Sinzo --- Bandoma, Steve --- Bobo, Fiona --- Sambu, Yves --- Shongo, David --- Samba, Cheri --- Congo --- 7(6) --- 7.074 --- 7.031.6 --- Steden ; cultuur ; Afrika ; Congo ; Kinshasa --- Zaire ; Congo ; koloniale fotografie --- Afrikaanse kunst ; beeldhouwkunst ; Congo --- Beeldende kunst ; Congo ; 21ste eeuw --- Kunst ; Afrika --- Kunstverzamelaars --- Kunstgeschiedenis ; primitieve kunst ; Afrikaanse volken --- Exhibitions --- Histoire de l'art --- Arts premiers --- Himmelheber, Hans, --- Art collections --- Vie artistique --- kunst --- postkolonialisme --- kolonialisme --- Himmelheber Hans --- Tshindele kapinga Pathy --- Shula Monsengo --- Shongo David --- Sambu Yves --- Samba Chéri --- Mwanza Mujila Fiston --- Mpane Aimé --- Magema Michèle --- Bobo Fiona --- Bandoma Steve --- Balu Kuyangiko Hilaire --- Baloji Sammy --- Aanza Sinzo --- Pende --- Kasala --- Luluwaland --- Kuba --- poëzie --- fotografie --- collecties --- verzamelingen --- 7.036/039 --- eenentwintigste eeuw --- twintigste eeuw --- Afrika --- Art, Congolese (Democratic Republic) --- Private collections --- postcolonialism --- Himmelheber, Hans, - 1908-2003 - Art collections - Exhibitions --- art [discipline] --- Mpane, Aimé --- Himmelheber, Hans, - 1908-2003

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"A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"-- "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--

Modernism (Art) --- Painting, American --- Art criticism --- Art and race. --- Race and art --- Ethnopsychology --- Painting, Modern --- Washington Color School (Group of artists) --- History --- Johnson, Malvin Gray, --- Kuniyoshi, Yasuo, --- Weber, Max, --- וועבער, מאקס, --- 国吉康雄, --- 國吉康雄, --- Johnson, Gray, --- Criticism and interpretation. --- Art and race --- 75.037(7/8) --- Johnson, Malvin Gray 1896-1934 (° Greensboro, North Carolina, Verenigde Staten) --- Kuniyoshi, Yasuo 1889-1953 (°Okayama, Japan) --- Kunst en ras ; etno-raciale aspecten --- Niet-Westerse kunst --- Racial Art --- Schilderkunst ; New York ; 1ste h. 20ste eeuw --- Weber, Max 1881-1961 (°Belostok, Rusland, huidige Bialystok, Polen) --- Schilderkunst ; 1900 - 1950 ; Amerika --- Critique d'art --- Peinture americaine --- Modernisme (art) --- Art et race. --- Modernisme (Art) --- Histoire --- Critique et interpretation. --- Johnson, Malvin Gray --- Criticism and interpretation --- Kuniyoshi, Yasuo --- Weber, Max --- United States --- Painting [American ] --- 20th century --- Geschichte 1920-1940. --- Art moderniste --- Modernité (art) --- Avant-garde --- Modernisme --- Art --- Peintres américains --- Peinture --- Aquarelle américaine --- Art américain --- Critique artistique --- Critique picturale --- Art et littérature --- Critiques d'art --- Journaux --- Critique photographique --- Critique architecturale --- Chefs-d'oeuvre (art) --- Critique d'art féministe --- Critique --- Vie artistique --- esthétique --- Appréciation --- Cahiers, Chroniques, etc. -- Arts --- Chroniques artistiques --- Critique et interprétation

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Art, Gothic --- Art, Medieval --- Art, Renaissance --- Art, Dutch --- Exhibitions. --- #GGSB: Geschiedenis (Middeleeuwen) --- #GGSB: Geschiedenis (Moderne Tijd) --- #GGSB: Kunst --- 091 <492 'S-HERTOGENBOSCH> --- 095 --- 949.293 'S-HERTOGENBOSCH --- 091 <064> --- #VCV fonds R. van der Linden --- #VCV monografie 1999 --- Handschriftenkunde. Handschriftencatalogi--Nederland--'S-HERTOGENBOSCH --- Merkwaardige boekbanden --- Geschiedenis van Nederland: provincie Noord-Brabant:--reg./lok.--'S-HERTOGENBOSCH --- Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- Exhibitions --- 091 <064> Handschriftenkunde. Handschriftencatalogi--Tentoonstellingscatalogi. Museumcatalogi --- 949.293 'S-HERTOGENBOSCH Geschiedenis van Nederland: provincie Noord-Brabant:--reg./lok.--'S-HERTOGENBOSCH --- 095 Merkwaardige boekbanden --- 091 <492 'S-HERTOGENBOSCH> Handschriftenkunde. Handschriftencatalogi--Nederland--'S-HERTOGENBOSCH --- #gsdbA --- late middeleeuwen --- 1450 - 1629 --- Saenredam, Pieter Jansz. --- Bloemaert, Abraham --- Art flamand --- Bourgogne, Comtes et ducs de --- Mécénat --- Renaissance art --- Medieval art --- Gothic art --- Christian art and symbolism --- Dutch art --- Ploeg (Group of artists) --- Renaissance --- History of civilization --- Art --- Bosch, Jeroen --- Rubens, Peter Paul --- House of Burgundy --- anno 1500-1799 --- anno 1200-1499 --- 's-Hertogenbosch --- Vie artistique --- Art de la Renaissance --- Late Medieval --- kunstgeschiedenis (algemeen) --- geschiedenis --- middeleeuwen --- renaissance --- 15de eeuw --- 16de eeuw --- 17de eeuw --- Bosch, Jheronimus --- Hertogenbosch ['s-] (Netherlands) --- History --- Civilization [Medieval ] --- Art [Gothic ] --- Late Gothic --- Art [Renaissance ] --- Hertogenbosch ['s-]. Noordbrabants Museum --- Nieuwe Ploeg (Group of artists) --- Mécénat. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- Geschiedenis (Middeleeuwen) --- Geschiedenis (Moderne Tijd) --- Kunst --- Art, Gothic - Netherlands - 's-Hertogenbosch - Exhibitions. --- Art, Medieval - Netherlands - 's-Hertogenbosch - Exhibitions. --- Art, Renaissance - Netherlands - 's-Hertogenbosch - Exhibitions. --- Art, Dutch - Netherlands - 's-Hertogenbosch - Exhibitions. --- 1450 - 1629. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 's-Hertogenbosch. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- geschiedenis. --- Bosch, Jheronimus. --- Bloemaert, Abraham. --- Bois-le-Duc