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The revival of documentary in art, considered in historical, theoretical, and contemporary contexts. After a long period in eclipse, documentary has undergone a marked revival in recent art. This has been spurred by two phenomena: the exhibition of photographic and video work on political issues at Documenta and numerous biennials; and increasing attention to issues of injustice, violence, and trauma in the war zones of the endemically conflict-ridden twenty-first century. The renewed attention to photography and video in the gallery and museum world has helped make documentary one of the most prominent modes of art-making today. Unsurprisingly, this development has been accompanied by a rich strain of theoretical and historical writing on documentary. This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
journalism --- philosophy of art --- hedendaagse kunst --- reality --- documentaries [document genre] --- art theory --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2099 --- Documentary mass media and the arts --- Arts, Modern --- Documentary mass media and the arts. --- 77.01 --- 77.044 --- Snyder Sean --- Sander August --- Salgado Sebastiao --- Raad Walid --- Moriyama Daido --- Mikhailov Boris --- Martens Renzo --- Lê An-My --- Lange Dorothea --- Griffiths Philip Jones --- Jackson Lisa F. --- Jacir Emily --- Jacir Annemarie --- Jaar Alfredo --- Horsfield Craigie --- Goldblatt David --- Galindo Regina José --- Fontcuberta Joan --- Fast Omer --- film --- Farocki Harun --- Evans Walker --- Elahi Hassan --- Cartier-Bresson Henri --- Biemann Ursula --- Ataman Kutlug --- documentaire --- fotografietheorie --- fotografiegeschiedenis --- reportagefotografie --- documentaire fotografie --- fotografie --- Fotografie--Semiotiek van de fotografie. Theorie --- Nieuwsfotografie. Reportage --- 77.044 Nieuwsfotografie. Reportage --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie ; reportage-opnamen --- 7.01 --- Fotojournalistiek --- Fotografie ; theorie ; 21ste eeuw --- Documentaire fotografie --- Fotojournalisme --- Kunsttheorie ; over het documentaire --- Fotografie ; theorie, filosofie, esthetica --- Kunst ; theorie, filosofie, esthetica --- documentaries [documents] --- Jackson Lisa F --- Arts and documentary mass media --- Arts --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Documentation --- Kunst --- journalistiek --- kunsttheorie --- documentaires --- kunstfilosofie --- werkelijkheid --- Arts, Modern - 20th century --- Arts, Modern - 21st century --- Films documentaires --- Médias et arts --- Critique et interprétation --- Et l'art --- Film documentaire --- Photographie --- Médias et arts --- Critique et interprétation
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In The Migrant Image T. J. Demos examines the ways contemporary artists have reinvented documentary practices in their representations of mobile lives: refugees, migrants, the stateless, and the politically dispossessed. He presents a sophisticated analysis of how artists from the United States, Europe, North Africa, and the Middle East depict the often ignored effects of globalization and the ways their works connect viewers to the lived experiences of political and economic crisis. Demos investigates the cinematic approaches Steve McQueen, the Otolith Group, and Hito Steyerl employ to blur the real and imaginary in their films confronting geopolitical conflicts between North and South. He analyzes how Emily Jacir and Ahlam Shibli use blurs, lacuna, and blind spots in their photographs, performances, and conceptual strategies to directly address the dire circumstances of dislocated Palestinian people. He discusses the disparate interventions of Walid Raad in Lebanon, Ursula Biemann in North Africa, and Ayreen Anastas and Rene Gabri in the United States, and traces how their works offer images of conflict as much as a conflict of images. Throughout Demos shows the ways these artists creatively propose new possibilities for a politics of equality, social justice, and historical consciousness from within the aesthetic domain.
Arts and globalization --- Culture and globalization --- Art and society --- Documentary mass media and the arts --- Emigration and immigration in art --- Arts et mondialisation --- Culture et mondialisation --- Art et société --- Médias documentaires et arts --- Emigration et immigration dans l'art --- Art et politique --- Art militant --- Migration --- Film militant --- Photographie documentaire --- Photographie de reportage --- Sociologie de l'art --- Art --- Émigration et immigration --- Arts and globalization. --- Culture and globalization. --- Art and society. --- Documentary mass media and the arts. --- Emigration and immigration in art. --- Aspect social --- Dans l'art --- 77.03 --- 77.01 --- 791.43 --- film --- documentaire --- globalisering --- neoliberalisme --- McQueen Steve --- The Otolith Group --- Steyerl Hito --- Jacir Emily --- Shibli Ahlam --- Raad Walid --- Biemann Ursula --- Anastas Ayreen --- Gabri René --- politiek --- film en politiek --- fotografie --- fotografie en politiek --- migratie --- Documentaire fotografie --- Fotografie--Semiotiek van de fotografie. Theorie --- Filmkunst. Films. Cinema --- 791.43 Filmkunst. Films. Cinema --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77.03 Documentaire fotografie --- Art et société --- Médias documentaires et arts --- Globalization and culture --- Globalization --- Arts and documentary mass media --- Arts --- Globalization and the arts --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Culture et mondialisation. --- Dans l'art. --- Aspect social. --- Émigration et immigration
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