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"Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- Provided by publisher.

Dissemination of music. --- Music and globalization. --- Music --- Social aspects. --- Music and society --- Globalization and music --- Globalization --- Dissemination of music --- Circulation of music --- Music dissemination --- Music and globalization --- Circulation

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In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation’s place in the world.

Music --- Musicians --- Music and globalization --- Music and transnationalism --- History and criticism. --- Transnationalism and music --- Transnationalism --- Globalization and music --- Globalization --- Dissemination of music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Argentina --- Astor Piazzolla --- Jazz --- Latin --- Latin America --- United States

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ger: Das Thema dieser Arbeit ist die historische und musikalische Analyse der österreichischen Hip-Hop-Szene und ihrer lokalen Adaption des globalen Phänomens Hip-Hop. Sie bietet eine detaillierte und umfassende Darstellung der österreichischen Hip-Hop-Geschichte und liefert - mit Hilfe der musikalischen Analyse - einen Einblick in musikalische Charakteristika der Hip-Hop-Musik. Aber nicht nur allgemeine Charakteristika der Musik und ihrer dominanten Subgenres in Österreich werden aufgezeigt, ein Hauptziel der Untersuchung ist es, mögliche "glokale" Merkmale in der österreichischen Hip-Hop-Musik aufzuspüren."Glokalisierung" in Bezug auf Hip-Hop beschreibt die Verbindung von global vorherrschenden Merkmalen dieser Musik mit dem lokalen kulturellen Umfeld der MusikerInnen. Es wird aufgezeigt, wo diese "Glokalisierung" in der österreichischen Hip-Hop-Musik zu finden ist und wie sie realisiert wird. eng: The topic of this thesis is the historical and musical analysis of the Austrian hip-hop scene and its local adaptation of the global phenomenon hip-hop. It provides a detailed and comprehensive illustration of Austrian hip-hop's history and delivers – through the help of musical analysis – insight into musical characteristics of hip-hop music. But not only general characteristics of the music and its dominant subgenres in Austria are demonstrated, one main aim of the research is to seek out possible "glocal" features in Austrian hip-hop music. "Glocalization" in regard to hip-hop describes the conjunction of global prevalent characteristics of this music with the local cultural environment of the producers. It is shown, where this "glocalization" can be found in the Austrian hip-hop music and how it is realized. Erstmals wird in diesem Buch die für Deutschrap oft impulsgebende österreichische HipHop-Musiklandschaft auf Buchlänge ins Zentrum gerückt. Frederik Dörfler-Trummer zeichnet die Karrieren der wichtigsten Vertreter*innen - von Falco über Money Boy bis RAF Camora - nach und analysiert ihre Musik. Dabei werden genredefinierende Charakteristika des HipHop für die Subgenres BoomBap, Gangsta-Rap, Trap und Cloud-Rap herausgearbeitet. Über den Aspekt der Glokalisierung wird zudem das Zusammenspiel von globaler Verbreitung und lokaler Aneignung von HipHop-Musik demonstriert.

Hip-hop --- Music and globalization --- Music. --- Rap (Music) --- MUSIC / History & Criticism. --- History and criticism. --- Austria. --- Glocalization. --- Music Analysis. --- Musicology. --- Pop Music. --- Popular Culture. --- Sociology of Culture. --- Hip-hop music --- Rap songs --- Rappin' (Music) --- Rapping (Music) --- African Americans --- Monologues with music --- Popular music --- Trip hop (Music) --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Globalization and music --- Globalization --- Dissemination of music --- Hip-hop culture --- Hiphop --- African American arts --- Popular culture --- HipHop; Österreich; Musik; Glokalisierung; Musikanalyse; Popkultur; Popmusik; Musikwissenschaft; Kultursoziologie; Hip Hop; Austria; Music; Glocalization; Music Analysis; Popular Culture; Pop Music; Musicology; Sociology of Culture