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Originally published in 1977. This book contains four essays by Professor Charles Singleton: "Allegory," "Symbolism," "The Pattern at the Center," and "The Substance of Things Seen." These four essays treat four dimensions of meaning essential to understanding the substance and special texture of the poetry of the Divine Comedy. One might speak of "facets" or "aspects" of meaning if such terms did not suggest surface reflections dependent on the way a work (as a jewel) is turned for inspection. But for Singleton, each dimension has a depth that reaches to the core and substance of Dante's poetry, so they are, in Singleton's view, elements of its structure.

Technique. --- Rhetoric, Medieval. --- Dante Alighieri, --- Divina commedia (Dante Alighieri) --- Cumégia (Dante Alighieri) --- Divine comedy (Dante Alighieri) --- Divina comedia (Dante Alighieri) --- Commedia (Dante Alighieri) --- Comedy (Dante Alighieri) --- Poema sacro (Dante Alighieri) --- Comedia (Dante Alighieri) --- Literary studies: poetry & poets

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The book wishes to bridge the divide between academic literature and popular culture. This is reflected in its style of presentation. The purpose of the book is threefold: 1. Provision of an Afrikaans translation of Dante's Purgatorio from the original Italian, true to Dante's original intentions, and expressed in idiomatic Afrikaans prose of acceptable aesthetic quality, giving the reader a sense of the beauty and subtlety of Dante's superb literary achievement. 2. Provision of sufficient historical, linguistic and other important information, enabling readers who are not necessarily specialized in the field, to understand the background, context and intentional structure of the great text. Such information is mainly provided in the general introduction, the introduction to each canto, and the endnotes to each of the 33. However, the introduction and endnotes also contain a considerable degree of interpretation of the author's subjective intentions and the conditions of the time, in the larger context of the development of the notion of purgatory in the Western Church, and the place of Dante's work and thinking in the overall historical development of Western Christian theology, which at the time of the poet's supreme synthesis of classical culture and European Christianity and of Church and State, started to demonstrate symptoms of unraveling and decline. 3. Provision of a wide, inclusive theoretical framework of mysticism, enabling an understanding and appreciation of the tendentional drift of Dante's achievement towards an ultimate horizon of silence, not necessarily consciously intended by the poet. In that context the third part of the book (the postscript) proceeds with a comparison of Dante's style and the substance of his thinking, with that of the Therav?da Buddhist master Buddhaghosa. The purpose of this section is to clear a path towards a true pax fidei, beyond mutual indifference or schiedlich-friedlich religious apartheid. The research methodology applied consists of three major components: 1. A historical hermeneutic endeavouring to understand and interpret the interplay between the subjective intentions of actors (including Dante) and objective processes and outcomes, often involving an element of tragedy. 2. A comparative procedure, enabling the simultaneous appreciation of more than one religion (in this case, Medieval Christianity and Buddhism). 3. An investigation of points (1) and (2) in an ultimately de-absolutizing, relativizing yet loving, accommodating framework sub specie horizontis.

Dante Alighieri, --- Criticism and interpretation.

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"Vertical Readings in Dante's Comedy is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This collection - to be issued in three volumes - offers an unprecedented repertoire of vertical readings for the whole poem. As the first volume exemplifies, vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante." - OAPEN.

Dante Alighieri, --- Criticism and interpretation. --- literature --- literary criticism

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Notwithstanding an impressive amount of secondary literature, an exhaustive study has been never devoted to the twelve letters written by Dante Alighieri after his banishment from Florence (1302–1315). This book answers to this important need of Dante Studies, offering an important tool for the increasing community of specialists interested in Dante’s works and posterity linked to the seventh centenary of his death (2021). A section is devoted to study in depth the theory and practice of the dictamen of the age in relationship with the concrete style of Dante’s texts. A preliminary overview is provided by Latin Philologists and Paleographers on the subject of the manuscript trasmission envisaging the problems dealing with the critical editions of the texts. Example of political communication realized by a layman, the papers gathered in this volume intend to offer a new reading and interpretation of these important letters, studying them in their socio-cultural context.

Dante Alighieri --- Medieval Epistolography --- Medieval Italy --- Italian Medieval Studies

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Vertical Readings in Dante's 'Comedy' is a reappraisal of the poem by an international team of thirty-four scholars. Each vertical reading analyses three same-numbered cantos from the three canticles: Inferno i, Purgatorio i and Paradiso i; Inferno ii, Purgatorio ii and Paradiso ii; etc. Although scholars have suggested before that there are correspondences between same-numbered cantos that beg to be explored, this is the first time that the approach has been pursued in a systematic fashion across the poem. This three-volume collection offers an unprecedented repertoire of vertical readings for the whole poem. Vertical reading not only articulates unexamined connections between the three canticles but also unlocks engaging new ways to enter into core concerns of the poem. The three volumes thereby provide an indispensable resource for scholars, students and enthusiasts of Dante.

Dante Alighieri, --- Criticism, Textual. --- Italian literature --- Commedia --- vertical readings --- Inferno --- comparative --- Purgatorio --- Paradiso --- Italian poetry