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Playing the viola
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ISBN: 0191039217 9780191039218 0193185148 9780193185142 0198161956 9780198161950 Year: 1988 Publisher: Oxford [England] New York

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`In all areas of human endeavour, time and again an individual appears who, due to a multitude of personal attributes, elevates his or her field to a hitherto unknown height. Such an individual was William Primrose. His name and the viola are synonymous.' Janos StarkerThis unique book is the result of a series of conversations with Primrose in the last years before his death in 1982. David Dalton describes how he came to the great artist armed with every question he could think of pertaining to performing on and teaching the viola. The lively dialogue contains a wealth of illuminating advice f

The early violin and viola
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ISBN: 9780521625555 9780511481833 9780521623803 0511481837 0511019157 9780511019159 0511035438 9780511035432 0511153171 9780511153174 0511050674 9780511050671 0521623804 128041894X 9781280418945 9786610418947 6610418942 0521625556 110711506X 0511327773 051117389X Year: 2001 Publisher: Cambridge Cambridge University Press

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This practical guide is intended for all violinists and viola players who wish to give - or to understand and appreciate - historically aware performances of early music for their instruments. It comprises discussion of the literature, history and repertory of the violin and viola, the myriad relevant primary sources and their interpretation, and the various aspects of style and technique that combine to make up well-grounded, period performances. It also considers various related family instruments, contains practical advice on the acquisition of appropriate instruments, and offers suggestions for further reading and investigation. Many of the principles outlined are put into practice in case studies of six works composed c.1700-c.1900, the core period which forms this series' principal (though not exclusive) focus. Music by Corelli, Bach, Haydn, Beethoven, Mendelssohn and Brahms is examined with a view to recreating performances as faithful as possible to the composer's original intention.

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