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literature --- cinema --- comparative literature --- cultural studies --- Motion pictures and literature --- Arts --- Arts. --- Motion pictures and literature. --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Arts, Primitive --- Arts, Daghestan --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities
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Motion pictures --- Motion pictures and literature --- Television and literature --- Television programs --- Mass media and literature --- Plots, themes, etc.
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Word and Image invokes and honors the scholarly contributions of Gary Marker. Twenty scholars from Russia, the United Kingdom, Italy, Ukraine and the United States examine some of the main themes of Marker's scholarship on Russia-literacy, education, and printing; gender and politics; the importance of visual sources for historical study; and the intersections of religious and political discourse in Imperial Russia. A biography of Marker, a survey of his scholarship, and a list of his publications complete the volume. Contributors: Valerie Kivelson, Giovanna Brogi (University of Milan), Christine Ruane (University of Tulsa), Elena Smilianskaia (Moscow), Daniela Steila (University of Turin), Nancy Kollmann (Stanford University), Daniel H. Kaiser (Grinnell College), Maria di Salvo (University of Milan), Cynthia Whittaker (City Univ. of New York), Simon Dixon (University of London), Evgenii Anisimov (St. Petersburg), Alexander Kamenskii (Higher School of Economics, Moscow), Janet Hartley (London School of Economics), Olga Kosheleva (Moscow State University), Maksim Yaremenko (Kyiv), Patrick O'Meara (University of Durham), Roger Bartlett (London), Joseph Bradley (University of Tulsa), Robert Weinberg (Swarthmore College)
Russian literature --- Literature and photography. --- Motion pictures and literature. --- History and criticism. --- Marker, Gary, --- Literature and motion pictures --- Moving-pictures and literature --- Photography and literature --- Literature --- Photography --- Russia --- Russia (Federation) --- History. --- History
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De l'écrit à l'écran est le premier ouvrage qui aborde la question de la réécriture filmique du roman africain francophone. Il se sert de la sémiologie de l'image, de la poétique et des théories post-coloniales pour définir les enjeux théoriques, idéologiques et sémantiques régissant le passage des textes littéraires au cinéma. Il identifie des paramètres importants dans la poétique de l'écriture et montre le rôle de l'acte créateur dans l'altérité du texte dérivé, filmique, par rapport au texte de départ, littéraire. De ce fait, il formule des propositions novatrices par rapport aux inte
Motion pictures --- Motion pictures and literature --- African literature (French) --- Film adaptations. --- Adaptations, Film --- Books, Filmed --- Filmed books --- Films from books --- Literature --- Motion picture adaptations --- French literature --- Literature and motion pictures --- Moving-pictures and literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Film adaptations --- Adaptations --- African authors --- History and criticism --- Recit filmique. --- Cinema et litterature --- Litterature africaine (française) --- Adaptations cinematographiques. --- Film and video adaptations. --- Adaptations cinematographiques et televisees. --- roman africain --- adaptation cinématographique --- littérature --- récit filmique --- Français (langue) --- cinéma
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