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Innumerable poems on spiritualism have been composed by many eminent sages. Their works are extremely valuable as compared to the current collection of poems which is just like a drop of water in a big ocean. Attending Satsang, listening to Bhagavatgita and Bhagwatam discourses, seeing the electronic media, all made me feel as if I am fully covered by the fragrance of a Parijat tree that inspired to put my feelings in a poetic form, which is entitled ""PARIJAT""! Very small attempt has been made here with all sincerity to always think of the Supreme Personality of Godhead.
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"Bollywood in Britain provides the most extensive survey to date of the various manifestations and facets of the Bollywood phenomenon in Britain. The book analyzes the role of Hindi films in the British film market, it shows how audiences engage with Bollywood cinema and it discusses the ways the image of Bollywood in Britain has been shaped. In contrast to most of the existing books on the subject, which tend to approach Bollywood as something that is made by Asians for Asians, the book also focuses on how Bollywood has been adapted for non-Asian Britons. An analysis of Bollywood as an unofficial brand is combined with in-depth readings of texts like film reviews, the TV show Bollywood Star (2004) and novels and plays with references to the Bombay film industry. On this basis Bollywood in Britain demonstrates that the presentation of Bollywood for British mainstream culture oscillates between moments of approximation and distancing, with a clear dominance of the latter. Despite its alleged transculturality, Bollywood in Britain thus emerges as a phenomenon of difference, distance and Othering."--
Motion picture industry --- Motion pictures, Hindi --- Social aspects --- Influence.
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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. By the 1960s, Hindi-language films from Bombay were in high demand not only for domestic and diasporic audiences but also for sizable non-diasporic audiences across Eastern Europe, Central Asia, the Middle East, and the Indian Ocean world. Often confounding critics who painted the song-dance films as noisy and nonsensical. if not dangerously seductive and utterly vulgar, Bombay films attracted fervent worldwide viewers precisely for their elements of romance, music, and spectacle. In this richly documented history of Hindi cinema during the long 1960s, Samhita Sunya historicizes the emergence of world cinema as a category of cinematic diplomacy that formed in the crucible of the Cold War. Interwoven with this history is an account of the prolific transnational circuits of popular Hindi films alongside the efflorescence of European art cinema and Cold War–era forays of Hollywood abroad. By following archival leads and threads of argumentation within commercial Hindi films that seem to be odd cases—flops, remakes, low-budget comedies, and prestige productions—this book offers a novel map for excavating the historical and ethical stakes of world cinema and world-making via Bombay.
Motion picture industry --- Motion pictures, Hindi --- PERFORMING ARTS / Film & Video / General. --- History. --- History and criticism. --- Hindi motion pictures --- Film industry (Motion pictures) --- Moving-picture industry --- Cultural industries --- cinema
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"Against the sweeping backdrop of South Asian history, this is a story of journeys taken by sixteenth-century reformist Muslim scholars and Sufi mystics from India to Arabia. At the center is the influential Sufi scholar Shaykh ʻAli Muttaqi and his little-known network of disciples. Scott Kugle relates how ʻAli Muttaqi, an expert in Arabic, scriptural hermeneutics, and hadith, left his native South Asia and traversed treacherous seas to make the Hajj to Mecca. Settling in Mecca, he continued to influence his homeland from overseas. Kugle draws on his original translations of Arabic and Persian manuscripts, never before available in English, to trace ʻAli Muttaqi's devotional writings, revealing how the Hajj transformed his spiritual life and political loyalties. The story expands across three generations of peripatetic Sufi masters in the Mutaqqi lineage as they travel for purposes of pilgrimage, scholarship, and sometimes simply for survival along Indian Ocean maritime routes linking global Muslim communities. Exploring the political intrigue, scholarly debates, and diverse social milieus that shaped the colorful personalities of his Sufi subjects, Kugle argues for the importance of Indian Sufi thought in the study of hadith and of ethics in Islam"--
Muslim scholars --- Islamic scholars --- Scholars, Muslim --- Scholars --- Muttaqī, ʻAlī ibn ʻAbd al-Malik, --- ʻAlāʼ al-Dīn ʻAlī ibn Abd Allāh al-Muttaqī al-Hindī, --- ʻAlī ibn ʻAbd al-Malik, --- Hindī, ʻAlī ibn ʻAbd al-Malik, --- Hindī, Ḥusām al-Dīn ibn Qāḍī Khān al-Qādirī al-Shādhilī, --- Ḥusām al-Dīn ibn Qāḍī Khān al-Qādirī al-Shādhilī al-Hindī, --- Junbūrī, ʻAlī ibn ʻAbd al-Malik, --- Muttaqī al-Hindī, --- Muttaqī, Alī Ḥusāmuʼd-dīn, --- علي بن حسام المتقي الهندي --- متقي، علي بن عبد الملك --- متقي، علي بن عبد الملك، --- South Asia. --- Saudi Arabia. --- India --- India. --- Bharat --- Bhārata --- Government of India --- Ḣindiston Respublikasi --- Inde --- Indi --- Indien --- Indii͡ --- Indland --- Indo --- Republic of India --- Sāthāranarat ʻIndīa --- Yin-tu --- Arabia saudita --- ʻArabīyah as Saʻūdīyah --- ʻArav ha-Saʻudit --- Hejaz and Nejd --- Hejaz (Kingdom) --- Kingdom of Saudi Arabia --- Mamlaka al-ʻArabiya as-Saʻudiya --- Mamlakah al-ʻArabīyah al-Saʻūdīyah --- Reino de Arabia Saudi --- Saudiarabien --- Saudovskai͡a Aravii͡ --- Sauji Arabia --- Saujiarabia --- Sha-tʻse A-la-po --- Indian Sub-continent --- Indian Subcontinent --- Southern Asia --- Asia --- Muttaqī, Alī ibn Ḥusāmuddīn, --- علي بن حسام المتقي الهندي، --- متقى، علي ابن حسام الدين،
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