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Composers --- -Songwriters --- Musicians --- Biography --- Purcell, Henry --- -Biography --- -Musicians --- Songwriters --- Persell, Genri, --- Purcell, Henry, --- Perselas, H., --- Purcel, Henry, --- Purcell, H. --- Purcell, Henri, --- Pŭrsel, Kh. --- Pŭrsel, Khenri, --- Purcel, H. --- PURCELL (HENRY), 1659-169 --- COMPOSITEURS --- ANGLETERRE --- BIOGRAPHIE
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Purcell, Henry --- -Purcell, Henry --- Criticism and interpretation --- -Criticism and interpretation --- Purcell, Henry, --- Purcell, Henry (1659-1695) --- Criticism and interpretation. --- Persell, Genri, --- Perselas, H., --- Purcel, Henry, --- Purcell, H. --- Purcell, Henri, --- Pŭrsel, Kh. --- Pŭrsel, Khenri, --- Purcel, H. --- Muziekgeschiedenis --- Biografieën --- Stijlstudies --- Muziekanalyses --- Barok --- Groot-Brittannië --- Engeland --- 17e eeuw
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Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges previous responses to Purcell's music that portrayed him as fundamentally conservative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular.
Music --- Composition (Music) --- Composing (Music) --- Music composing --- Music composition --- Musical composition --- Concertante style --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Analysis, appreciaton --- History --- Composition --- Purcell, Henry, --- Purcell, Henry (1659-1695) --- Criticism and interpretation. --- Analysis, appreciaton. --- Purcell, Henry --- Persell, Genri, --- Perselas, H., --- Purcel, Henry, --- Purcell, H. --- Purcell, Henri, --- Pŭrsel, Kh. --- Pŭrsel, Khenri, --- Purcel, H.
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This pathbreaking study reveals Purcell's extensive use of symmetry and reversal in his much-loved trio sonatas, and shows how these hidden structural processes make his music multilayered and appealing.
MUSIC --- Genres & Styles --- Classical. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Sonata. --- Purcell, Henry, --- Sonata --- Sonatas --- Sonatina --- Musical form --- History and criticism --- Trio sonata --- Chamber music --- Music --- Baroque. --- Chiasmus. --- Commutatio. --- Composition. --- Compositional Process. --- Consort. --- Counterpoint. --- Creativity. --- English Music. --- Fugue. --- Ground Bass. --- Music Analysis. --- Palindrome. --- Proportions. --- Purcell. --- Restoration. --- Rhetoric. --- Symmetry. --- Trio Sonatas.
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In 1683 English court musicians and the Musical Society of London joined forces to celebrate St Cecilia's Day (22 November) with a feast and the performance of specially composed music. The most prominent composers and poets of the age wrote for these occasions, including Henry Purcell, John Blow, John Dryden and William Congreve.
Music
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Saint Cecilia's Day
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Art music
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Art music, Western
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Classical music
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Musical compositions
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Musical works
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Serious music
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Western art music
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Western music (Western countries)
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St. Cecilia's Day
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Holidays
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History and criticism.
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Songs and music.
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History
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Musical Society of London
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History.
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Cecilia,
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Cäcilia
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Händel, Georg Friedrich
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Purcell, Henry
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Songs and music
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1600-1799
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England
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Purcell, ...
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Purcel, ...
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Purcel, Henry
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Purcell, H.
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Purcell, Henri
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Purcel, Henri
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Komponist
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Organist
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London
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Purcell, Daniel
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1659-1695
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XX.XX.1659-21.11.1695
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Händel, Georg-Friedrich
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Händel, Georg Friederich
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Händel, Georg Fr.
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Händel, Georg F.
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Händel, George Friedrich
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Händel, George Frideric
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Händel, George F.
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Händel, G. Friedrich
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Händel, G. Fr.
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Händel, G. F.
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Händel, G.F.
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Hændel, G.-F.
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Händel
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Händel, C. F.
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Händel, C.F.
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Händel, Friedrich G.
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Händel, F. G.
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Händel, F.G.
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Händel, H.
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Händl, F. G.
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Händl, F.G.
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Händl, Georg Friedrich
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Haendel, Georg Friedrich
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Haendel, Georg-Friedrich
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Haendel
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Händle, Georg Friedrich
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Handel, Georg Friedrich
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Handel, Georg Frederic
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Handel, Georg Frideric
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Handel, Georg F.
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Handel, George Friedrich
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Handel, George Friderick
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Handel, George Frideric
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Handel, George Fridric
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Handel, George Frederick
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Handel, George Frederic
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Handel, George F.
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Handel, Georgio Fredrico
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Handel, Georgio F.
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Handel, Giorgio Federico
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Handel, Goerg Friedrich
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Handel, G. F.
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Handel, G.F.
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Handel
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Handell
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Hendel, Georg Friedrich
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Hendel, George Friederich
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Hendel, Giorgio-Federico
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Hendel
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Hendeli, Georg Pʹridrix
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Häddelischen
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Halle (Saale)
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Hamburg
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Händel, Georg
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Händel, Dorothea
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Rotth, Christian August
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Flörcke, Johanna Friederike <
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