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Né en 1874, Karl Kraus a été mêlé de loin ou de près, comme acteur, témoin ou juge, à tous les mouvements artistiques, intellectuels ou politiques qui agitèrent Vienne au début de notre siècle. Pendant plus de trente ans, de 1899 à sa mort en 1936, il fit paraître sa revue Die Fackel, qu'il finit par rédiger tout seul et dans laquelle il a publié la majeure partie de son oeuvre. Pessimiste et lucide il combattit les travers de son temps et ses armes préférées furent la citation et la glose. Les spécialistes français, autrichiens, allemands, américains et hongrois dont les contributions sont réunies ici ont étudié tour à tour les rapports ambigus et apparemment changeants de Kraus avec la politique et les partis, ses prises de positions sur le sionisme, le nationalisme, la guerre et la paix, son attitude à l'égard de quelques grandes questions de son temps comme le féminisme, l'éducation, la théorie des masses ou le déclin de l'Occident, et ils ont analysé la stratégie et les armes du satiriste. Both feared and admired in his time for his relentless criticism of the Austrian society, Karl Kraus is considered even today as one of the great masters of a satire that criticizes the corruption of private and public morals through the corruption of language, particularly in the press.
Literature German Dutch Scandinavian --- Karl Kraus --- Autriche --- satire --- presse
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The book explores the modern attitudes that are articulated in the texts "Third Walpurgis Night" (1933) by Karl Kraus and "Prodromos" (1905) by Peter Altenberg. Following Foucault's discourse analytical approach and his concept of self practice, it asks with what types of subject and truth the two literary works break open the structures of enunciation in which they are historically embedded. The result is not a biographical or philological comparison, but a report on the experience of a performative reading that makes an archaeological section of the writings and reconstructs their genealogical line.
German literature --- Germanic Literature --- Languages & Literatures --- Karl Kraus --- Peter Altenberg --- Third Walpurgis Night --- Prodromos --- Typology --- Dritte Walpurgisnacht --- Typologie --- Nationalsozialismus --- History and criticism --- Altenberg. Peter. --- Kraus, Karl, --- Karl Kraus --- Peter Altenberg --- Third Walpurgis Night --- Prodromos --- Typology --- Dritte Walpurgisnacht --- Typologie --- Nationalsozialismus
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"The author and director Berthold Viertel (1885-1953), born and raised in Vienna, left a broad but fragmented autobiographical project, which changed a lot over time through exile and remigration. Katharina Prager analyses Viertels autobiographical practice and his re- and deconstructions of collective memory of a ""different"" Vienna around the year 1900, a counter image of the idealistic presentations by his friend Stefan Zweig. She connects his memories of ""critical modernness"" with studies about the Wiener Moderne in relation to 15 biographical spaces of memory. Berthold Viertel is shown as a prominent actor and networking expert in the cultural scene of Vienna, and as a typical representative of a critical avant-garde, whose lines of tradition he tried to preserve by his writing."
History --- Autobiography --- Vienna around 1900 --- Critical Modernity --- Wiener Moderne --- Viennese Modern Age --- critical avant-garde --- Berthold Viertel --- Karl Kraus --- Österreich
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Exploring the crossroads between autobiographical narrative and musical composition, this book examines Berg's transformation of Frank Wedekind's Erdgeist (1895) and Die Büchse der Pandora (1904) -- the plays used inthe formation of the libretto for Lulu -- according to notions of gender identity, social customs, and the aesthetics of modernity in Vienna of the 1920s and 1930s. While Berg modernized several aspects of the plays by Wedekind and incorporated serial techniques of composition from Arnold Schoenberg, he never let go of the idealistic Wagnerian perspectives of his youth. In fact, he went as far as reconfiguring aspects of Richard Wagner's life as anideal identity to be played out in the compositional process. In the process of composing the opera, Berg also reflected on the most important cultural figures in fin-de-siècle Vienna that affected his worldview, including Karl Kraus, Emil Lucka, Otto Weininger, and others. Adopting an approach that combines a systematic analysis of Berg's numerous sketches for Lulu, correspondence, and the finished work with interpretive models drawn from cultural studies and philosophy, this book elucidates the ways in which Berg grappled with his self-image as an "incorrigible romantic" (unverbesserliche Romantiker) at the end of his life, explaining aspects of his musical language that have been considered strange or anomalous in the scholarship. Silvio J. dos Santos is assistant professor of musicology at the University of Florida.
Berg, Alban, --- Wagner, Richard, --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Criticism and interpretation. --- Rezeption --- HISTORY --- MUSIC --- Austria & Hungary. --- Printed Music --- Vocal. --- Lyrics. --- Instruction & Study --- Voice. --- Lulu (Berg, Alban) --- Fortwirken --- Nachwirkung --- Nachleben --- Wirkungsgeschichte --- Aneignung --- Auswirkung --- Fortleben --- 1920s. --- 1930s. --- Alban Berg. --- Autobiographical narratives. --- Emil Lucka. --- Gender identity. --- Identity. --- Karl Kraus. --- Lulu. --- Musical composition. --- Narratives. --- Otto Weininger. --- Personal experiences. --- Richard Wagner. --- Social customs. --- Vienna.
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Forms of Exile in Jewish Literature and Thought deals with the concept of exile on many levels-from the literal to the metaphorical. It combines analyses of predominantly Jewish authors of Central Europe of the twentieth century who are not usually connected, including Kafka, Kraus, Levi, Lustig, Wiesel, and Frankl. It follows the typical routes that exiled writers took, from East to West and later often as far as America. The concept and forms of exile are analyzed from many different points of view and great importance is devoted especially to the forms of inner exile. In Forms of Exile in Jewish Literature and Thought, Bronislava Volková, an exile herself and thus intimately familiar with the topic through her own experience, develops a unique typology of exile that will enrich the field of intellectual and literary history of twentieth-century Europe and America.
Alienation (Philosophy) in literature. --- Central European literature --- Exile (Punishment) in literature. --- Exiles in literature. --- LITERARY CRITICISM / Jewish. --- Jewish authors --- History and criticism. --- Alma Mahler. --- Arnost Lustig. --- Arthur Schnitzler. --- Bruno Schulz. --- Central Europe. --- Egon Hostovsky. --- Elie Wiesel. --- Expulsion. --- Franz Kafka. --- Franz Werfel. --- Hermann Broch. --- Hermann Ungar. --- Holocaust. --- Hugo von Hofmannsthal. --- Jewish history. --- Jiri Weil. --- Joseph Roth. --- Judaism. --- Karl Kraus. --- Ladislav Fuks. --- Marcel Proust. --- Max Nordau. --- Peter Weiss. --- Primo Levi. --- Robert Musil. --- Saul Friedlander. --- Shoah. --- Sholem Aleichem. --- Sigmund Freud. --- Stefan Zweig. --- Theodor Herzl. --- Wandering. --- aesthetics. --- cultural studies. --- diaspora. --- exile. --- gender. --- identity. --- literature. --- oppression. --- philosophy. --- twentieth century.
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