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1900s : decades of the 20th century = Dekaden des 20. Jahrhunderts = Décennies du XXe siècle
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ISBN: 3833110775 Year: 2005 Publisher: Köln : London : Könemann ; Getty Images,

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L'estampe à Paris, 1900 : élitiste et populaire
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ISBN: 9789462301689 Year: 2017 Publisher: Bruxelles : Fonds Mercator,

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Une présentation de l'estampe française de 1890 à 1905, alors à son sommet. Des artistes tels que Henri de Toulouse-Lautrec ou Pierre Bonnard ont expérimenté les nouvelles techniques d'impression, qui leur ont permis d'obtenir des résultats saisissants. ©Electre 2018


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Qui est Goy ? : au-delà de la différence.
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ISBN: 2226010807 Year: 1980 Publisher: Albin Michel

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Les tumultes d'un siècle
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ISBN: 2870277857 9782870277850 Year: 2000 Volume: *53 Publisher: Bruxelles Complexe


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Cultural calendar of the 20th century
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ISBN: 0714819301 Year: 1979 Publisher: Oxford Phaidon

Century.
Authors: ---
ISBN: 9780745636320 0745636322 0745636314 9780745636313 Year: 2007 Publisher: Cambridge Polity press


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Les mille sentiers de l'avenir
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ISBN: 2221007425 9782221007426 Year: 1982 Publisher: Paris Seghers

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Ouvrage de prospective décrivant les limites physiques de la planète, l'avènement d'un monde multipolaire, la montée de l'interdépendance, l'évolution possible des sociétés et les choix s'offrant à elles.


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Consuming music : individuals, institutions, communities, 1730-1830
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ISBN: 9781580465779 9781782049227 1782049223 Year: 2017 Publisher: Rochester, N.Y. University of Rochester Press

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The successful sale and distribution of music has always depended on a physical and social infrastructure. Though the existence of that infrastructure may be clear, its organization and participants are among the least preserved and thus least understood elements of historical musical culture. Who bought music and how did those consumers know what music was available? Where was it sold and by whom? How did the consumption of music affect its composition? How was consumers' musical taste shaped and by whom? Focusing on the long eighteenth century, this collection of nine essays investigates such questions from a variety of perspectives, each informed by parallels between the consumption of music and that of dance, visual art, literature, and philosophy in France, the Austro-German lands, and the United States. Chapters relate the activities of composers, performers, patrons, publishers, theorists, impresarios, and critics, exploring consumers' tastes, publishers' promotional strategies, celebrity culture, and the wider communities that were fundamental to these and many more aspects of musical culture. CONTRIBUTORS: Glenda Goodman; Roger Mathew Grant; Emily H. Green; Marie Sumner Lott; Catherine Mayes; Peter Mondelli, Rupert Ridgewell, Patrick Wood Uribe, Steven Zohn Emily H. Green is assistant professor of music at George Mason University. Catherine Mayes is assistant professor of musicology at the University of Utah.


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The Future of the Use of the Car : Report of the Fifty-Fifth, Fifty-Sixth and Fifty-Seventh Round Tables on Transport Economics
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ISBN: 9789282105184 Year: 1982 Publisher: Paris : OECD Publishing,

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This book presents the proceedings of three related ECMT Round Tables on the future of the car. The first concern the future of car ownership, the second concerns the cost of using a car, and the third concerns changing patterns of car usage.

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