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Book
Writing in Limbo : modernism and Caribbean literature
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Year: 2018 Publisher: Ithaca : Cornell University Press,

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Book
Briefwechsel, Aufzeichnungen, Dokumente : 1891-1931
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ISBN: 9783835332287 3835332287 Year: 2018 Publisher: Göttingen: Wallstein,

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Scholarly edition of the correspondence between Hermann Bahr and Arthur Schnitzler, including further documents.


Periodical
Prassi ecdotiche della modernità letteraria.
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Year: 2016 Publisher: Milan, Italy : Università degli Studi di Milano, Dipartimento di studi letterari, filologici e linguistici,

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Periodical
Magazine modernista.
Year: 2008 Publisher: [Tempe, AZ] : [Arizona State University, School of International Letters & Cultures?],

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Book
Culturele identiteit en literaire inovatie
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ISBN: 9789073446625 9073446627 Year: 1996 Publisher: Utrecht: Universiteit Utrecht. Faculteit der letteren,

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Book
Una coscienza europea : Zeno e la tradizione moderna
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ISBN: 9788829000128 Year: 2020 Publisher: Roma : Carocci editore,

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Book
Rubén Darío y el modernismo en España, 1888-1920 : ensayo de bibliografía comentada
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Year: 1968 Publisher: New York : Las Américas Pub. Co.,

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Book
Éloge et critique de la modernité
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ISBN: 2130686125 Year: 2000 Publisher: Paris cedex 14 (Humensis 170 bis, boulevard du Montparnasse 75680) : Presses Universitaires de France,

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Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle. En marge d'une réflexion philosophique qui s'est efforcée de penser la modernité, M. Raimond présente ici une défense et illustration, mais aussi une critique du monde moderne, par les écrivains français de l'entre-deux-guerres. « Copyright Electre »


Book
Asbestos : the last modernist object
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Year: 2022 Publisher: Edinburgh : Edinburgh University Press,

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"Few modern materials have been as central to histories of environmental toxicity, medical ignorance, and legal liability as asbestos. A naturally occurring mineral fibre once hailed for its ability to guard against fire, asbestos is now best known for the horrific illnesses it causes. This book offers a new take on the established history of asbestos from a literary critical perspective, showing how literature and film during and after modernism responded first to the material's proliferation through the built environment, and then to its catastrophic effects on human health. Starting from the surprising encounters writers have had with asbestos--Franz Kafka's part ownership of an asbestos factory, Primo Levi's work in an asbestos mine, and James Kelman's early life as an asbestos factory worker--the book looks to literature to rethink received truths in historical, legal and medical scholarship. In doing so, it models an interdisciplinary approach for tracking material intersections between modernism and the environmental and health humanities. Asbestos - The Last Modernist Object offers readers a compelling new method for using cultural objects when thinking about how to live with the legacies of toxic materials."


Book
Fantasma dell'Io : La massa e l'inconscio mimetico (The Phantom of the Ego: Modernism and the Mimetic Unconscious)
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Year: 2018 Publisher: [Place of publication not identified] : Mimesis,

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A ghost roams the modern world: "the ghost of the ego" With this sentence, Friedrich Nietzsche offers a diagnosis of the modern self that finds the royal road to the unconscious in mass imitation. In the footsteps of Nietzsche, modernist authors such as Joseph Conrad, DH Lawrence, Georges Bataille - read in dialogue with human sciences such as anthropology and psychoanalysis, research on hypnosis and mass psychology - question themselves about reflected mimetic phenomena that do not they are under the rational control of consciousness and are, in this sense, in-conscious. From identification to affective contagion, passing through sympathy and laughter, violence and magic, hypnosis and suggestion, the mimetic unconscious reveals how modernist authors make our concept of "I" new because they anticipate recent developments in neuroscience. They also offer us an out-of-date mirror to reflect critically on the becoming of our "I" as well as on the power of authoritarian leaders - past and present - to transform the mass subject into a copy or a "ghost of the ego."

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