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Goyen, van, Jan Josefsz. --- Art --- Goyen, Jan van, --- Exhibitions --- Goyen, Jan van --- Van Goyen, Jan --- Exhibitions. --- Van Goyen, Jan, --- Kunst --- van Goyen, Jan --- van Goyen, Jan.
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landscapes [representations] --- Goyen, van, Jan Josefsz. --- Goyen, Jan van, --- Drawing --- Painting --- anno 1600-1699 --- Netherlands --- Van Goyen, Jan
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History --- gouden eeuw (Holland) --- Painting --- anno 1600-1699 --- B. Haak --- Nederland --- schilderkunst --- zeventiende eeuw --- zestiende eeuw --- historieschilderkunst --- portret --- portretschilderkunst --- stillevens --- landschappen --- landschapsschilderkunst --- dieren --- zeegezichten --- riviergezichten --- stadsgezichten --- architectuurschilderkunst --- van Mander Karel --- Haarlem --- Utrecht --- Middelburg --- Delft --- 's-Gravenhage --- Leeuwarden --- Leiden --- Hals Frans --- Brouwer Adriaen --- van ostade Adriaen --- Saenredam Pieter --- van Everdingen Caesar --- Rembrandt van Rijn --- Rembrandt --- Lievens Jan --- van Goyen Jan --- Porcellis Jan --- Dou Gerrit --- van der Helst Bartholomeus --- Bloemaert Abraham --- van Bronckhorst Jan --- Bor Paulus --- van Honthorst Gerrit --- Potter Paulus --- van de Venne Adriaen --- Dordrecht --- Steen Jan --- Van Ruisdael Jacob --- Berchem Nicolaes --- Berckheyde Job --- Berckheyde Gerrit --- Ter Borch Gerard --- Cuyp Albert --- van Hoogstraeten Samuel --- Maes Nicolaes --- de Gelder Aert --- Fabritius Carel --- de Hooch Pieter --- Vermeer Johannes --- van Beyeren Abraham --- van der Heyden Jan --- barok --- 75.034 --- Netherlands --- Hollandse school
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Anno nu krijgt een mens op één dag meer beelden te verwerken dan iemand in de middeleeuwen gedurende zijn hele leven. Als reactie op deze "hyperventilerende" samenleving klinkt de oproep tot rust, bezinning en stilte. Steeds meer mensen vinden die verstilling door naar kunst te kijken. Joost Zwagerman gaat in 'De stilte van het licht' op bevlogen wijze op zoek naar de facetten van deze "intensiteit van de stilte". Van de religieus geïnspireerde stilte bij Jan van Eyck en Zurbarán, via de abstracte stilte van Mark Rothko en Malevich, tot de stilte als suspense bij Edward Hopper. Bij alle kunstenaars is licht een belangrijk middel om de sfeer van de stilte uit te drukken.
Esthetica. --- Kunstbeschouwing. --- Art --- Silence (philosophie) --- Esthétique --- Appréciation --- art criticism --- stilte --- beauty --- Aesthetics of art --- schoonheid --- aesthetics --- kunst --- kunsttheorie --- 7.03 --- Nooteboom Cees --- Kellendonk Frans --- Weijers Niña --- literatuur --- Hammershoi Vilhelm --- Delacroix Eugène --- Malevich Kazimir --- Van Veluw Levi --- Borremans Michael --- Dumas Marlene --- Ensor James --- Lucebert --- Miro Joan --- Spilliaert Léon --- Wall Jeff --- Koons Jeff --- Jackson Richard --- Polke Sigmar --- Hamilton Richard --- Wyeth Andrew --- Hopper Edward --- Bacon Francis --- Munch Edvard --- Goya y Lucientes Francisco --- Zandvliet Robert --- Benner Gerrit --- Van Goyen Jan --- Van Golden Daan --- McQueen Steve --- Klein Yves --- Schendel Mira --- Warhol Andy --- Matisse Henri --- Rembrandt --- Turner Joseph Mallord William --- Tartt Donna --- Fabritius Carel --- Nypels Rob --- Mondrian Piet --- Mondriaan Piet --- Rothko Mark --- Van Althuis Willem --- Mankes Jan --- Weissenbruch Jan Hendrik --- Abramovic Marina --- van Eyck Jan --- Morandi Giorgio --- de Zurbaran Francisco --- unheimliche --- MAD-faculty 15 --- kunst en filosofie --- Esthétique. --- Appréciation. --- Kunst --- Afrika --- Azië --- Nederland --- China --- Autisme --- Cultuur --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur --- 830 --- kunstkritiek --- essay --- essai --- stilte (kunst)
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The art historian after Erwin Panofsky and Ernst Gombrich is not only participating in an activity of great intellectual excitement; he is raising and exploring issues which lie very much at the centre of psychology, of the sciences and of history itself. Svetlana Alpers's study of 17th-century Dutch painting is a splendid example of this excitement and of the centrality of art history among current disciples. Professor Alpers puts forward a vividly argued thesis. There is, she says, a truly fundamental dichotomy between the art of the Italian Renaissance and that of the Dutch masters. . . . Italian art is the primary expression of a 'textual culture,' this is to say of a culture which seeks emblematic, allegorical or philosophical meanings in a serious painting. Alberti, Vasari and the many other theoreticians of the Italian Renaissance teach us to 'read' a painting, and to read it in depth so as to elicit and construe its several levels of significationt. The world of Dutch art, by the contrast, arises from and enacts a truly 'visual culture.' It serves and energises a system of values in which meaning is not 'read' but 'seen,' in which new knowledge is visually recorded."—George Steiner, Sunday Times.
Painting, Dutch --- Visual perception --- Peinture hollandaise --- Perception visuelle --- Visual Perception --- Painting, Dutch - 17th century --- Svetlana Alpers --- Nederland --- schilderkunst --- zeventiende eeuw --- portret --- portretschilderkunst --- stillevens --- landschap --- landschapsschilderkunst --- perspectief --- zeegezichten --- riviergezichten --- stagdsgezichten --- architectuurschilderkunst --- Saenredam Pieter --- Rembrandt --- Rembrandt van Rijn --- van Everdingen Caesar --- van Goyen Jan --- Dou Gerard --- van der Helst Bartholomeus --- Rubens Peter Paul --- Leemans Anthony --- Koninck Philips --- Steen Jan --- Bol Ferdinand --- Cats Jacob --- De Bray Joseph --- Matham Jacob --- Van Rijswick Dirck --- Kalf Willem --- de Gheyn Jacques --- Goltzius Hendrick --- Huyghens Constantijn --- van Beyeren Abraham --- Vermeer Johannes --- Delft --- van Diest Jeronimus --- Metsu Gabriel --- Lastman Pieter --- 75.034 --- Visual perception. --- 7 <492> "16" --- 75 <492> "16" --- 75 <492> "16" Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- Schilderkunst--Nederland--17e eeuw. Periode 1600-1699 --- 7 <492> "16" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699 --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Nederland--17e eeuw. Periode 1600-1699
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741 <492/493> --- 741 "15" --- 741 "16" --- 769 <439 BUDAPEST> --- 74.07<492>"15/16" --- Teréz Gerszi --- kunst --- tekenkunst --- Nederland --- België --- zestiende eeuw --- zeventiende eeuw --- Avercamp Hendrik --- Backer Jacob --- Backhuyzen Ludolf --- Berchem Nicolaes --- Bloemaert Abraham --- Bol Hans --- Bol Ferdinand --- Both Jan --- Breenbergh Bartholomaeus --- Bril Paulus --- Brueghel Jan de Oudere --- Coxcie Michiel --- Cuyp Albert --- Dusart Cornelis --- de Gheyn Jacob --- Goltzius Hendrick --- van Goyen Jan --- van Heemskerck Maarten --- van Hoogstraeten Samuel --- Jordaens Jacob --- Lievens Jan --- Molijn Pieter --- Muller Jan --- van Orley Barend --- van Ostade Adriaen --- Porcellis Jan --- Rembrandt --- Rubens Peter Paul --- Saftleven Cornelis --- Saftleven Herman --- Snijders Frans --- Speckaert Jan --- Stevens Pieter --- van de Velde Adriaen --- van de Velde Esaias --- van Wittel Caspar --- 741.034 --- Tekenkunst--?<492/493> --- Tekenkunst--16e eeuw. Periode 1500-1599 --- Tekenkunst--17e eeuw. Periode 1600-1699 --- Prentenverzamelingen--Hongarije--BUDAPEST --- Drawing, Dutch --- Drawing --- Drawing, Flemish --- Szépművészeti Múzeum (Hungary) --- 769 <439 BUDAPEST> Prentenverzamelingen--Hongarije--BUDAPEST --- 741 "16" Tekenkunst--17e eeuw. Periode 1600-1699 --- 741 "15" Tekenkunst--16e eeuw. Periode 1500-1599 --- 741 <492/493> Tekenkunst--?<492/493>
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